Edward Elgar, Royal Philharmonic Orchestra, André Previn's 'Pomp and Circumstance Marches, Op. 39: March No. 1 in D Major' came out on June 4, 1987. Since Pomp and Circumstance Marches, Op. 39: March No. 1 in D Major is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 16 out of 20 in Elgar: Enigma Variations; Pomp & Circumstance Marches Nos. 1-5 by Edward Elgar, André Previn, Royal Philharmonic Orchestra. In terms of popularity, Pomp and Circumstance Marches, Op. 39: March No. 1 in D Major is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pomp and Circumstance Marches, Op. 39: March No. 1 in D Major by Edward Elgar, Royal Philharmonic Orchestra, André Previn is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, San Francisco Symphony, Michael Tilson Thomas | C Minor | 2 | 5A | 90 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 115 BPM | ||
Fucik : Entry of the Gladiators Op.68 | Julius Fučík, Václav Neumann, Czech Philharmonic Orchestra | C Major | 6 | 8B | 121 BPM | ||
Sailing | Gavin Maurice Sutherland, Royal Philharmonic Orchestra, Carl Davis | B♭ Major | 2 | 6B | 61 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
The Star and Stripes Forever | US Air Force Concert Band, Ceremonial Brass & Singing Sergeants | A♭ Major | 5 | 4B | 116 BPM | ||
The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Royal Philharmonic Orchestra, Vernon Handley | F Minor | 3 | 4A | 149 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 102 BPM | ||
The Washington Post March | John Philip Sousa, Royal Artillery Band, Keith Brion | F Major | 2 | 7B | 119 BPM |
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