Julius Fučík, Václav Neumann, Czech Philharmonic Orchestra made "Fucik : Entry of the Gladiators Op.68" available on August 1, 1995. The duration of Fucik : Entry of the Gladiators Op.68 is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Fucik : Entry of the Gladiators Op.68's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 8 in Fucik : Famous Marches & Waltzes & Dvorák : Slavonic Rhapsody (Apex) by Jiri Formacek, Václav Neumann & Czech Philharmonic Orchestra, Václav Neumann, Czech Philharmonic Orchestra. Based on our statistics, Fucik : Entry of the Gladiators Op.68's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Fucik : Entry of the Gladiators Op.68 by Julius Fučík, Václav Neumann, Czech Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa da Requiem: Dies irae - Tuba mirum | London Philharmonic Orchestra | E♭ Major | 4 | 5B | 88 BPM | ||
The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | G Major | 4 | 9B | 133 BPM | ||
Boss Convinces Charley | Michael Kamen, Czech Philharmonic Orchestra | A Major | 1 | 11B | 80 BPM | ||
Ketèlbey: In a Persian Market (Intermezzo-Scene) | Albert Ketèlbey, John Lanchbery, Ambrosian Singers, Philharmonia Orchestra | F Major | 2 | 7B | 127 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
The Blue Danube | Johann Strauss II, Eugene Ormandy | D Major | 1 | 10B | 176 BPM | ||
Respighi: Pini di Roma, P. 141: IV. I pini della Via Appia | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | B Major | 2 | 1B | 87 BPM | ||
Gayane Suite No. 2: VI. Sabre Dance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | E♭ Major | 8 | 5B | 91 BPM | ||
Toccata and Fugue in D minor, BWV 565: Toccata | Johann Sebastian Bach, Daniel Chorzempa | D Major | 2 | 10B | 79 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Libor Pešek, Slovac Philharmony | F♯ Minor | 1 | 11A | 156 BPM |
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