"Torna a Surriento (featured in the film 'Serenade')" by Mario Lanza was released on December 17, 1948. The duration of Torna a Surriento (featured in the film 'Serenade') is about 3 minutes long, at 3:22. Based on our data, "Torna a Surriento (featured in the film 'Serenade')" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mario Lanza's "L'incredibile Mario Lanza" album is number 18 out of 43. In terms of popularity, Torna a Surriento (featured in the film 'Serenade') is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Torna a Surriento (featured in the film 'Serenade') by Mario Lanza to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky's Piano Concerto No 1 in B-Flat Minor, Op 23 | Caterina Valente, Werner Müller & His Orchestra | F Minor | 2 | 4A | 76 BPM | ||
Core 'ngrato (orch. G. Chiaramello) | Salvatore Cardillo, Giancarlo Chiaramello, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | D♭ Major | 1 | 3B | 136 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
Das Land de Lachelns, Act 2 (1986 Digital Remaster): Dein ist mein ganzes Herz | Fritz Wunderlich, Symphonieorchester Graunke, Carl Michalski | D♭ Minor | 2 | 12A | 84 BPM | ||
O Mio Bambino Care | Gianni Schicchi, Tivolis Promenadeorkester, Louise Fribo, Hans Nielsen, Bjørn Hyrup | A♭ Major | 3 | 4B | 70 BPM | ||
Cavalleria Rusticana - Finale | Carmine Coppola | D♭ Minor | 1 | 12A | 92 BPM | ||
Pilgrims Chorus (Tannhauser) | Treorchy Male Voice Choir, John Cynan-Jones | E♭ Major | 1 | 5B | 61 BPM | ||
A Vucchella (from 'The Great Caruso') | Mario Lanza | F Major | 3 | 7B | 90 BPM | ||
The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied | Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment | G Major | 1 | 9B | 88 BPM |
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