"Johannes-Passion, BWV 245: No. 1, O Mensch, bewein dein Sünde groß - No. 2, Jesus ging mit seinen Jüngern" by Johann Sebastian Bach, Münchener Bach-Orchester, Münchener Bach-Chor, Ernst Haefliger, Hermann Prey, Karl Richter had its release date on November 1, 2019. This song appears to be safe for all ages as it is not explicit. The track order of this song in Johann Sebastian Bach, Karl Richter, Münchener Bach-Orchester's "J.S. Bach: Johannes-Passion, BWV 245" album is number 1 out of 24. On top of that, Italy appears to be the country where this track was created. Based on our statistics, Johannes-Passion, BWV 245: No. 1, O Mensch, bewein dein Sünde groß - No. 2, Jesus ging mit seinen Jüngern's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Johannes-Passion, BWV 245: No. 1, O Mensch, bewein dein Sünde groß - No. 2, Jesus ging mit seinen Jüngern by Johann Sebastian Bach, Münchener Bach-Orchester, Münchener Bach-Chor, Ernst Haefliger, Hermann Prey, Karl Richter to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maria, D. 839 | Franz Schubert, The Choir Of Trinity College, Cambridge | B♭ Major | 0 | 6B | 67 BPM | ||
La Giuditta: Dormi o fulmine | Alessandro Scarlatti, Filippo Mineccia, Nereydas, Javier Ulises Illán | D Major | 0 | 10B | 63 BPM | ||
Samson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix. | Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise, Maria Callas | D♭ Major | 1 | 3B | 81 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibt meine Freude (Chorus) | Johann Sebastian Bach, Ingrid Kertesi, Jozsef Mukk, Judit Nemeth, Istvan Gati, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Matyas Antal | G Major | 1 | 9B | 66 BPM | ||
Vier letzte Lieder, TrV 296: 4. Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | ||
Dido and Aeneas, Z.626, The Opera, Act I: I. Overture | Henry Purcell, Academy of the Begynhof Amsterdan, Roderick Shaw | C Minor | 4 | 5A | 165 BPM | ||
Johannes-Passion, BWV 245, II. Teil: 39. Chorus "Ruht wohl, ihr heiligen Gebeine" | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe | B Minor | 1 | 10A | 75 BPM | ||
Carmina Burana: In trutina | Carl Orff, Lucia Popp, Kurt Eichhorn | E♭ Minor | 1 | 2A | 62 BPM | ||
Dido and Aeneas / Act 3: When I Am Laid In Earth - Dido's Lament) | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | D♭ Minor | 1 | 12A | 68 BPM | ||
Delibes: Lakmé, Act 1: "Viens, Mallika" (Lakmé, Mallika) | Léo Delibes, Alain Lombard, Orchestre de l'Opéra-Comique | B Major | 1 | 1B | 87 BPM |