"Concerto for Piano and Orchestra: III. Vivace" by Michael Tippett, Martino Tirimo, BBC Philharmonic was released on January 1, 1991. Since Concerto for Piano and Orchestra: III. Vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Tippett: Triple Concerto & Piano Concerto". In this album, this song's track order is #8. Based on our statistics, Concerto for Piano and Orchestra: III. Vivace's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Piano and Orchestra: III. Vivace by Michael Tippett, Martino Tirimo, BBC Philharmonic having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Britten: Simple Symphony, Op. 4: III. Sentimental Saraband | Benjamin Britten, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 3 | 9B | 82 BPM | ||
Grieg: Old Norwegian Romance with Variations, Op. 51: IX. Andante (Orchestral Version) | Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra | E♭ Minor | 1 | 2A | 110 BPM | ||
Romanian Folk Dances, Sz. 68: No. 4, Buciumeana | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 2: Lord, Thou hast been our refuge - Radio Edit | Edward Elgar, Gabrieli, Paul McCreesh, Anna Stephany | D Major | 0 | 10B | 85 BPM | ||
Mythologies: VI. Bacchus | Eleanor Alberga, BBC Symphony Orchestra, Thomas Kemp | B♭ Major | 1 | 6B | 61 BPM | ||
Folk Songs: No. 2, I Wonder as I Wander | Luciano Berio, Elina Garanca, Berlin Music Ensemble | A♭ Major | 0 | 4B | 81 BPM | ||
Annelies (chamber version): I. Introit - Prelude | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | C Minor | 1 | 5A | 84 BPM | ||
Requiem, Op. 9: VII. Lux Aeterna | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | D Major | 2 | 10B | 108 BPM | ||
Rêverie | Fernand de la Tombelle, Munich Radio Orchestra, Herve Niquet | E Major | 1 | 12B | 99 BPM | ||
Messa di Gloria: IX. Cum Sancto Spiritu | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | C Major | 2 | 8B | 122 BPM |
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