The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: To cucis Lapáku!? - Leoš Janáček, Dalibor Jedlicka, Eva Zigmundova, Lucia Popp, Libuse Marova, Wiener Philharmoniker, Sir Charles Mackerras Information

"The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: To cucis Lapáku!?" by Leoš Janáček, Dalibor Jedlicka, Eva Zigmundova, Lucia Popp, Libuse Marova, Wiener Philharmoniker, Sir Charles Mackerras was released on January 1, 1982. The duration of The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: To cucis Lapáku!? is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: To cucis Lapáku!?'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leoš Janáček, Lucia Popp, Dalibor Jedlicka, Wiener Philharmoniker, Sir Charles Mackerras's "Janácek: The Cunning Little Vixen" album is number 7 out of 31. The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: To cucis Lapáku!? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: To cucis Lapáku!? BPM

We consider the tempo marking of The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: To cucis Lapáku!? by Leoš Janáček, Dalibor Jedlicka, Eva Zigmundova, Lucia Popp, Libuse Marova, Wiener Philharmoniker, Sir Charles Mackerras to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: To cucis Lapáku!? Key

This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.