Tsvetan Mihailov, Teodor Moussev, Stela Dimitrova, Bogdana Popova, Stefka Mineva, Choeur mixte de la radio-télévision bulgare, Tiha Geniva, Orlin Pavlov's 'Cum Sancto Spiritu' had a release date set for December 7, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Tsvetan Mihailov's "Gioacchino Rossini : Petite messe solennelle" album is number 7 out of 14. On top of that, France appears to be the country where this track was created. Cum Sancto Spiritu is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cum Sancto Spiritu by Tsvetan Mihailov, Teodor Moussev, Stela Dimitrova, Bogdana Popova, Stefka Mineva, Choeur mixte de la radio-télévision bulgare, Tiha Geniva, Orlin Pavlov to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Tristan und Isolde, Act 2: "Einsam wachend in der Nacht" (Brangäne) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Marjana Lipovsek | F♯ Major | 1 | 2B | 89 BPM | ||
Carmina Burana: Estuans interius | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | A Minor | 2 | 8A | 82 BPM | ||
Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM | ||
Rusalka, Op.114 / Act 3: Vyrvána zivotu v hlubokou samotu | Antonín Dvořák, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 87 BPM | ||
Nabucco: Zieht, Gedanken | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | D♭ Major | 1 | 3B | 99 BPM | ||
Manon (1997 Digital Remaster): Je ne suis que faiblesse....Adieu, notre petite table | Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | G Minor | 1 | 6A | 85 BPM | ||
Gounod: Faust, CG 4, Act 1 Scene 1: No. 2, Scène et Choeur, (b) "Ah! Paresseuse fille qui sommeille encor!" (Choeur, Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Mass in C minor, K.427 "Grosse Messe": 1. Kyrie | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 83 BPM | ||
A Child of our Time, Part I: How can I cherish my man in such days...? (Soprano) | Michael Tippett, Pumeza Matshikiza, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Madama Butterfly / Act 1: Bimba, bimba, non piangere | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Christa Ludwig, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 87 BPM |