"Ne irascaris Domine a 5 (Cantiones Sacrae, 1589): II. Civitas sancti tui" by William Byrd, Owain Park, The Gesualdo Six was released on March 30, 2018. With this song being about 5 minutes long, at 5:14, "Ne irascaris Domine a 5 (Cantiones Sacrae, 1589): II. Civitas sancti tui" by William Byrd, Owain Park, The Gesualdo Six is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 17 in English Motets: From Dunstaple to Gibbons by The Gesualdo Six, Thomas Tallis, Owain Park, William Byrd, Thomas Tomkins, John Sheppard, Robert White, John Dunstable, Thomas Morley, John Taverner, William Cornysh I, Orlando Gibbons, Robert Parsons. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Ne irascaris Domine a 5 (Cantiones Sacrae, 1589): II. Civitas sancti tui is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ne irascaris Domine a 5 (Cantiones Sacrae, 1589): II. Civitas sancti tui by William Byrd, Owain Park, The Gesualdo Six is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Byrd: Mass for Three Voices - 4a. Sanctus | William Byrd, The Tallis Scholars, Peter Phillips | D Major | 1 | 10B | 80 BPM | ||
Izhe Kheruvimi (Cherubic Hymn): No. 7. — | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | D Major | 0 | 10B | 57 BPM | ||
Stabat Mater pour dix voix et basse continue: I. Stabat Mater dolorosa | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F Major | 1 | 7B | 138 BPM | ||
Byrd: Mass for Four Voices - 07. Et Unam Sanctam | William Byrd, Peter Phillips, The Tallis Scholars | A♭ Major | 2 | 4B | 137 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Mass for Five Voices - 4a. Sanctus | William Byrd, The Tallis Scholars, Peter Phillips | D♭ Minor | 1 | 12A | 81 BPM | ||
Allegri: Miserere - 01. Miserere Mei, Deus | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 135 BPM | ||
Motets: De ore prudentis | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | D Minor | 1 | 7A | 71 BPM | ||
Sacrae symphoniae: Canzon septimi et octavi toni a 12 (arr. E. Crees for brass) | Giovanni Gabrieli, Eric Crees, London Symphony Brass | C Major | 1 | 8B | 92 BPM | ||
Requiem: Psalm 121 | Herbert Howells, Conspirare, Craig Hella Johnson | B Minor | 0 | 10A | 65 BPM |
Section: 1.038329839706421
End: 1.0415356159210205