"The Lark - Live" by Mikhail Glinka, Mischa Maisky, Pavel Gililov was released on January 1, 2005. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vocalise by Mischa Maisky, Pavel Gililov. The song's track number on the album is #2 out of 25 tracks. The Lark - Live is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Lark - Live by Mikhail Glinka, Mischa Maisky, Pavel Gililov has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Lark - Live being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Carnaval des Animaux: Aquarium | Camille Saint-Saëns, Irena Grafenauer, Martha Argerich, Nelson Freire, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, Mischa Maisky, Georg Maximilian Hörtnagel, Edith Salmen-Weber | A Minor | 0 | 8A | 134 BPM | ||
Au bord de l'eau, Op. 8, No. 1 | Gabriel Fauré, Mischa Maisky, Daria Hovora | D Major | 1 | 10B | 84 BPM | ||
Oriental Dance | Aram Khachaturian, Xavier De Maistre | A Minor | 1 | 8A | 99 BPM | ||
Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) | Germaine Tailleferre, Eric Le Sage | F♯ Minor | 1 | 11A | 94 BPM | ||
Suite for Cello and Orchestra, Op. 16: IV. Romance (molto adagio) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | E Major | 0 | 12B | 78 BPM | ||
Die Zauberflöte, K. 620 / Act II: "Ach ich fühl's, es ist entschwunden" (Arr. for Cello and Piano by Mischa Maisky) | Wolfgang Amadeus Mozart, Mischa Maisky, Lily Maisky | B Minor | 2 | 10A | 138 BPM | ||
Cello Sonata in D Major, Op. 17: II. Andante tranquillo | Luise Adolpha Le Beau, Steven Isserlis, Connie Shih | B Minor | 1 | 10A | 86 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre a ta voix" (Arr. for Cello and Piano by George Trinkaus) | Camille Saint-Saëns, Mischa Maisky, Lily Maisky | G Major | 1 | 9B | 87 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | E Minor | 1 | 9A | 99 BPM |
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