John Blow, Arcangelo, Jonathan Cohen, Samuel Boden, Thomas Walker, William Gaunt's ' "Dread Sir, the Prince of Light: II. Dread Sir, the Prince of Light Begins to Rise –" was released on its scheduled release date, September 29, 2017. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 27 out of 29 in Blow: An Ode on the Death of Mr Henry Purcell & Other Works by John Blow, Arcangelo, Jonathan Cohen. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Dread Sir, the Prince of Light: II. Dread Sir, the Prince of Light Begins to Rise – is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Dread Sir, the Prince of Light: II. Dread Sir, the Prince of Light Begins to Rise – by John Blow, Arcangelo, Jonathan Cohen, Samuel Boden, Thomas Walker, William Gaunt is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te deum, LWV 55: II. Pleni sunt coeli et terra | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: V. Ach ja, mein Gott | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | B♭ Major | 0 | 6B | 55 BPM | ||
Venus and Adonis Act One - Chorus: 'Come follow' | John Blow, Sophie Danemen, Elin Manahan Thomas, Roderick Williams, Elizabeth Kenny, Theatre of the Ayre | E♭ Minor | 3 | 2A | 87 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: III. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Concerto in C Minor, Op. 6 No. 3: III. Grave | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | B♭ Minor | 2 | 3A | 70 BPM | ||
Venus & Adonis, Act III: "With Solemn Pomp Let Mourning Cupids Bear" (Venus) | John Blow, Orchestra of the Age of Enlightenment, René Jacobs, Rosemary Joshua | F♯ Minor | 1 | 11A | 77 BPM | ||
Laudate Pueri: I. Laudate Pueri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
The Gordion Knot Unty'd, Z. 597: Second Act Tune: Rondo Minuet | Henry Purcell, Aradia Ensemble, Kevin Mallon | C Minor | 5 | 5A | 153 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 88 BPM | ||
Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM |