"Overture No. 1 in B-Flat Major: IV. Sarabande" by Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini was released on June 30, 1995. The duration of Overture No. 1 in B-Flat Major: IV. Sarabande is about 3 minutes long, at 3:18. Based on our data, "Overture No. 1 in B-Flat Major: IV. Sarabande" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Veracini: Overtures and Concertos, Vol. 1 by Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini. The song's track number on the album is #4 out of 25 tracks. Overture No. 1 in B-Flat Major: IV. Sarabande is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Overture No. 1 in B-Flat Major: IV. Sarabande by Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Overture No. 1 in B-Flat Major: IV. Sarabande being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: V. Allegro | Francesco Geminiani, Boston Baroque, Martin Pearlman | D♭ Minor | 1 | 12A | 132 BPM | ||
Flute Concerto No. 2 in C Minor: I. Prelude - Lentement | Michel Pignolet de Montéclair, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | D♭ Major | 0 | 3B | 79 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 1: I. Allegro | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | D♭ Major | 3 | 3B | 130 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): I. Preludio: Largo | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 2 | 2A | 110 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: IV. Air contrefugué | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Violin Sonata in G Major, Op. 5, No. 12: III. Largo | Jean-Marie Leclair, Trio Settecento | D Minor | 1 | 7A | 110 BPM | ||
Adriano in Siria, Act II: Act II Scene 2: Recitative: Emirena mio ben (Sabina, Adriano, Idalma) | Francesco Maria Veracini, Romina Basso, Sonia Prina, Lucia Cirillo, Europa Galante, Fabio Biondi | A Major | 1 | 11B | 73 BPM | ||
Airs for the Winter: Golden Rod: I. Pastorale: Andante | James Oswald, The Broadside Band | A Major | 2 | 11B | 116 BPM | ||
Sonata da camera No. 1 in C Minor, H 4920: III. Adagio | Nicola Francesco Haym, Arcangelo Corelli, Cappella Musicale Enrico Stuart, Romeo Ciuffa, Chiara Strabioli, Rebeca Ferri, Marco Vitale | F Major | 1 | 7B | 128 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 88 BPM |
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