"Principessa, Boleslao può cominciar" by Umberto Giordano, Mario Rossi, Orchestra Lirica e Coro di Milano della RAI was released on 1951. With this song being about 5 minutes long, at 4:36, "Principessa, Boleslao può cominciar" by Umberto Giordano, Mario Rossi, Orchestra Lirica e Coro di Milano della RAI is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 29 in Fedora by Umberto Giordano, Mario Rossi, Orchestra Lirica e Coro di Milano della RAI. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, Principessa, Boleslao può cominciar's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Principessa, Boleslao può cominciar by Umberto Giordano, Mario Rossi, Orchestra Lirica e Coro di Milano della RAI is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor / Act 3: "Ohimè! sorge il tremendo fantasma" | Gaetano Donizetti, Dame Joan Sutherland, Pier Francesco Poli, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
Massenet: Werther, Act 3: "Pourquoi me réveiller" | Jules Massenet, Kent Nagano, Anne Sofie von Otter, Jerry Hadley, Orchestre de l'Opéra de Lyon | A♭ Major | 0 | 4B | 181 BPM | ||
Don Pasquale / Act 2: "Povero Ernesto! Cercherò lontana terra" | Gaetano Donizetti, Juan Diego Flórez, Gianluigi Petrarulo, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A♭ Major | 1 | 4B | 127 BPM | ||
Fedora / Act 1: Altra volta quell'uomo vedesti | Umberto Giordano, Giuseppe Scorsin, Marina Comparato, Angela Gheorghiu, Nicola Pamio, Fabio Maria Capitanucci, Bernard Giovani, Federico Longhi, Orchestre Symphonique De La Monnaie, Alberto Veronesi, Choeur De La Monnaie, Piers Maxim | C Minor | 2 | 5A | 87 BPM | ||
Il re pastore, K. 208, Act I Scene 3: Si spande al sole in faccia | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | D Major | 4 | 10B | 121 BPM | ||
Der Freischütz, J. 277 / Act III: "Und ob die Wolke sie verhülle" | Carl Maria von Weber, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | A♭ Major | 1 | 4B | 84 BPM | ||
Bizet: Carmen, Act 2: "Votre toast, je peux vouz le rendre"/ "Toréador, en garde!" (Escamillo, Carmen, Frasquita, Mercédès, Moralès, Zuniga) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Christian Van Horn, Christina Landshammer, Kostas Smoriginas, Magdalena Kozená, Rachel Frenkel | F Major | 2 | 7B | 111 BPM | ||
Cäcilie | Richard Strauss, Anna Netrebko | A Major | 2 | 11B | 65 BPM | ||
Andrea Chenier: Duetto Finale "Vicino a te...La nostra morte" | Umberto Giordano, Rico Saccani, Kristjan Johansson, Maria Guleghina, Bela Perencz | F Major | 2 | 7B | 145 BPM | ||
Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Major | 1 | 2B | 87 BPM |
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