"1812 Overture" by Dallas Symphony Orchestra was released on January 30, 2007. 1812 Overture appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "The Best Thunderous Classics". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Based on our statistics, 1812 Overture's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 1812 Overture by Dallas Symphony Orchestra having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in C Minor, "Resurrection": II. Andante moderato: In Tempo I - Zuruckkehren | Gustav Mahler, Heidi Grant Murphy, Petra Lang, Dallas Symphony Chorus, Dallas Symphony Orchestra, Andrew Litton | F♯ Minor | 0 | 11A | 114 BPM | ||
New England Triptych: I. Be Glad then America | William Schuman, Dallas Symphony Orchestra, Andrew Litton | D Major | 1 | 10B | 78 BPM | ||
Paria, Act I (Ed. Włodzimierz Ormicki): Introduction | Stanisław Moniuszko, Poznań Opera House Orchestra, Jacek Kaspszyk | C Major | 0 | 8B | 99 BPM | ||
Porgy and Bess: Act III Scene 3: Oh Lawd, I'm On My Way! | George Gershwin, Andrew Litton, Gordon Hawkins, Dallas Symphony Chorus, Dallas Symphony Orchestra | E Major | 1 | 12B | 62 BPM | ||
Serenata, P. 54 | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | C Minor | 1 | 5A | 114 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso I | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 2 | 5B | 127 BPM | ||
I Fontani di Roma, P. 106: II. La fontana del Tritone al mattino | Ottorino Respighi, Minnesota Orchestra, Antal Doráti | C Major | 2 | 8B | 77 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Charles Rosekrans, Royal Philharmonic Orchestra | D Major | 0 | 10B | 119 BPM | ||
Symphony Fantastique in C Major, Op 14: V. Songe d' une nuit du Sabbat | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | F Major | 1 | 7B | 73 BPM | ||
Roman Carnival Overture, H 95 | Hector Berlioz, Andrew Litton, Dallas Symphony Orchestra | A♭ Major | 0 | 4B | 70 BPM |
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