"Piano Concerto No. 2: 1st Movement" by Elena Kats-Chernin, Tasmanian Symphony Orchestra, Ola Rudner was released on January 7, 2005. Piano Concerto No. 2: 1st Movement is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The song is number 13 out of 17 in Elena Kats-Chernin: Wild Swans by Elena Kats-Chernin, Tasmanian Symphony Orchestra, Ola Rudner. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Based on our statistics, Piano Concerto No. 2: 1st Movement's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 2: 1st Movement by Elena Kats-Chernin, Tasmanian Symphony Orchestra, Ola Rudner is Allegro (fast, quick, and bright), since this song has a tempo of 148 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
Afterwards | Elena Kats-Chernin, Tamara Anna Cislowska | B♭ Major | 1 | 6B | 77 BPM | ||
Faded Leaves Fall | Gabríel Ólafs | E Minor | 0 | 9A | 68 BPM | ||
Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 89 BPM | ||
Adieu Nocturne No. 1 in A Minor -Adieu- | Carlos Marquez | A Minor | 1 | 8A | 99 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Wild Swans - Concert Suite: 6. Good Fairy | Elena Kats-Chernin, Tasmanian Symphony Orchestra, Ola Rudner | F Major | 1 | 7B | 147 BPM |
Section: 0.6612503528594971
End: 0.6656484603881836