"Schubert / Arr. Capuçon for Violin and Piano: Ave Maria, Op. 52 No. 6, D. 839" by Franz Schubert, Renaud Capuçon, Jerome Ducros was released on April 6, 2007. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 21 in Capriccio - Works for Violin and Piano [Digital version] by Renaud Capuçon. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Schubert / Arr. Capuçon for Violin and Piano: Ave Maria, Op. 52 No. 6, D. 839 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Schubert / Arr. Capuçon for Violin and Piano: Ave Maria, Op. 52 No. 6, D. 839 by Franz Schubert, Renaud Capuçon, Jerome Ducros is Presto (very, very fast), since this song has a tempo of 183 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rhapsody on a Theme by Paganini, Op. 43: Variation 18. Andante cantabile | Sergei Rachmaninoff, Bella Davidovich, Royal Concertgebouw Orchestra, Neeme Järvi | D♭ Major | 1 | 3B | 70 BPM | ||
Impromptu No. 3 in G-Flat Major, Op.90, D 899 | Clare Hammond | F♯ Major | 0 | 2B | 175 BPM | ||
Schumann: Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Maria João Pires | F Major | 0 | 7B | 66 BPM | ||
Douze études, Op. 25: No. 1 in A-Flat Major "Aeolian Harp" | Giovanni Umberto Battel | A♭ Major | 0 | 4B | 94 BPM | ||
Toccata all’Elevazione in F Major, Op. 1, No. 12 "Adagio" | Domenico Zipoli, Francesco Giovannini, Sally Maer, William Motzing, Alexandre Oguey, Sinfonia Australis | F Major | 1 | 7B | 84 BPM | ||
Schubert: Waltz in G-Flat Major, D. Anh. I/14, "Kupelwieser Walzer" | Franz Schubert, Mariam Batsashvili | D Major | 1 | 10B | 126 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Daniel Barenboim, Jacqueline du Pré, Philadelphia Orchestra | B♭ Major | 0 | 6B | 96 BPM | ||
Pur ti Miro from 'L'incoronazione di Poppea | Claudio Monteverdi, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | A Major | 0 | 11B | 95 BPM | ||
Clarinet Concerto No. 7 in E Flat Major (Darmstädter No. 1): 3. Rondeau | Carl Stamitz, Andreas Ottensamer, Kammerakademie Potsdam | E♭ Major | 2 | 5B | 143 BPM | ||
Debussy / Orch. Stokowski: Suite bergamasque, CD 82, L. 75: III. Clair de lune | Claude Debussy, Wolfgang Sawallisch, Philadelphia Orchestra | F♯ Major | 0 | 2B | 113 BPM |
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