"Mass for Modern Man: II. Loss of a Homeland – The Refugee" by Ståle Kleiberg, Jessica Gordon, Trondheim Symphony Orchestra, Eivind Gullberg Jensen was released on February 26, 2017. Mass for Modern Man: II. Loss of a Homeland – The Refugee appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Ståle Kleiberg: Mass for Modern Man". In this album, this song's track order is #2. Mass for Modern Man: II. Loss of a Homeland – The Refugee is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mass for Modern Man: II. Loss of a Homeland – The Refugee by Ståle Kleiberg, Jessica Gordon, Trondheim Symphony Orchestra, Eivind Gullberg Jensen having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
Divertissements: III. Three Divertissements | Dorothy Howell, Rebecca Miller, BBC Concert Orchestra | G Major | 1 | 9B | 76 BPM | ||
Sonata For Flute And Piano: I. Lento Rubato - Allegro Non Troppo | Ståle Kleiberg, Annika Nordstrøm, Margaret Stachiewicz | G Major | 1 | 9B | 77 BPM | ||
A Sentimental Mood | Carrie Baynes | F Major | 1 | 7B | 120 BPM | ||
Sinfonia da Requiem, Op. 20: I. Lacrymosa. Andante ben misurato | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | G Major | 2 | 9B | 85 BPM | ||
Act I, Psalm 8 (Chorus) | Ståle Kleiberg, Jessica Gordon, Trondheim Symphony Orchestra, Tõnu Kaljuste | C Major | 2 | 8B | 80 BPM | ||
String Quartet, Op. 56 "Voces intimae": II. Vivace | Jean Sibelius, Vertavo String Quartet | D Major | 0 | 10B | 71 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM | ||
The Armed Man (Ensemble Version): XI. Now the Guns Have Stopped | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: III. Scherzino (Allegro – Andantino - Allegro) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | F Minor | 0 | 4A | 104 BPM |
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