"Misa Flamenca: 3. Credo (Cantes gitanos)" by José Torregrosa, Pericón de Cádiz, Raphael Romero, Chocolate, Pepe "El Culata", Victor Monje "Serranito", Ramón de Algeciras, Los Serranos, Choir Maitea, Coro Easo, members, Andalusian Instrumental Ensemble was released on January 1, 1995. Since Misa Flamenca: 3. Credo (Cantes gitanos) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in José Carreras, Ariel Ramírez, Rafael Romero, Victor Monje "Serranito", Muungano National Choir Kenya, Coral Salvé de Laredo, José Torregrosa, José Luis Ocejo, Boniface Mganga, Grupo Huancara's "Missa - Sound of Eternity" album is number 13 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Misa Flamenca: 3. Credo (Cantes gitanos)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Misa Flamenca: 3. Credo (Cantes gitanos) by José Torregrosa, Pericón de Cádiz, Raphael Romero, Chocolate, Pepe "El Culata", Victor Monje "Serranito", Ramón de Algeciras, Los Serranos, Choir Maitea, Coro Easo, members, Andalusian Instrumental Ensemble to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
My Dearest, My Fairest | Henry Purcell, Ensemble Musica Antiqua, Christian Mendoze, Charles Brett, Richard Bordas, Christine Peacock | F♯ Minor | 1 | 11A | 177 BPM | ||
Les Indes galantes, RCT 44, Act III: Forêts paisibles | Jean-Philippe Rameau, Chantal Santon Jeffery, Jean-Sébastien Bou, Orfeo Orchestra, Purcell Choir, Gyorgy Vashegyi | F♯ Minor | 3 | 11A | 112 BPM | ||
Alleluia: Buxtehude | Maîtrise de l'Opéra national du Rhin. Dir. Luciano Bibiloni & Petits Chanteurs de Strasbourg | C Minor | 2 | 5A | 120 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 39, Aria. "Erbarme dich" | Johann Sebastian Bach, Nikolaus Harnoncourt, Bernarda Fink, Concentus Musicus Wien | C Major | 0 | 8B | 128 BPM | ||
Spesso vibra per suo gioco | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Major | 1 | 9B | 135 BPM | ||
Petite messe solennelle: Agnus Dei | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Delphine Galou | C Major | 1 | 8B | 74 BPM | ||
Verdi: Otello, Act 4: "Ave Maria, piena di grazia" (Desdemona) | Giuseppe Verdi, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 1 | 4B | 87 BPM | ||
Communion: O sacrum convivium à 5 | Andrea Gabrieli, Gabrieli, Paul McCreesh | C Major | 0 | 8B | 135 BPM | ||
"Mille Regretz" (Després) | The Hilliard Ensemble | B Major | 1 | 1B | 83 BPM |
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