Friedrich von Flotow, Enrico Caruso, Marcel Journet, Walter B. Rogers's 'Act I: Solo, profugo reietto!' came out on 1990. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 20 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Based on our statistics, Act I: Solo, profugo reietto!'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Act I: Solo, profugo reietto! by Friedrich von Flotow, Enrico Caruso, Marcel Journet, Walter B. Rogers is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vocalise, Op. 34, No. 14 - Remastered | Sergei Rachmaninoff, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Sadko: Song of the Indian Guest | Nikolai Rimsky-Korsakov, Vadim Lynkovsky, Maksim Paster, Anton Grigoriev, Bolshoi Theatre Chorus, Bolshoi Theatre Orchestra, Alexander Vedernikov | C Major | 0 | 8B | 107 BPM | ||
Deutsche Messe, D. 872: V. Zum Sanctus. Sehr langsam | Franz Schubert, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
Song My Mother Taught Me | Antonín Dvořák, Barrington Pheloung, London Metropolitan Orchestra | D Major | 2 | 10B | 86 BPM | ||
Martha, Act II: "The Last Rose of Summer" | Friedrich von Flotow, Leontyne Price, Sir Edward Downes | F Major | 1 | 7B | 83 BPM | ||
Meine Lippen, die küssen so heiss | Franz Lehár, Anna Netrebko | E Major | 2 | 12B | 83 BPM | ||
"Ombra mai fu" (Serse), HWV 40 | George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | F♯ Major | 1 | 2B | 135 BPM | ||
Alessandro Stradella: Act III: Introduction: Italia, mein Vaterland (Stradella, Malvolino, Barbarino, Leonore) | Friedrich von Flotow, Jörg Dürmüller, Markus Marquardt, Sabine Passow, Johannes Martin Kränzle, Bernhard Schneider, Cologne Radio Chorus, Cologne Radio Symphony Orchestra, Helmut Froschauer | F Major | 4 | 7B | 131 BPM | ||
La Wally: Ebben? Ne andrò lontana | Alfredo Catalani, Miriam Gauci, Brussels Philharmonic, Ali Rahbari | E Major | 1 | 12B | 88 BPM | ||
5 Lieder, Op. 49: IV. Wiegenlied | Johannes Brahms, Bernarda Fink, Roger Vignoles | E♭ Major | 2 | 5B | 89 BPM |
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