- BPM
- 76
- Key
- D♭ Major
- Camelot
- 3B
Old and Lost Rivers, for orchestra - Tobias Picker, Houston Symphony, Christoph Eschenbach Information
- Acousticness
- 63%
- Danceability
- 7%
- Energy
- 2%
- Instrumentalness
- 3%
- Liveness
- 10%
- Loudness
- 45%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 5%
- Loudness
- -32.777 dB
Summary
"Old and Lost Rivers, for orchestra" by Tobias Picker, Houston Symphony, Christoph Eschenbach was released on 1988. Since Old and Lost Rivers, for orchestra is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 14 out of 14 in American Music of the Twenthieth Century by Various Artists. Old and Lost Rivers, for orchestra is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Old and Lost Rivers, for orchestra BPM
The tempo marking of Old and Lost Rivers, for orchestra by Tobias Picker, Houston Symphony, Christoph Eschenbach is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Old and Lost Rivers, for orchestra Key
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Mass: Sanctus | Patrick Cassidy | C Major | 1 | 8B | 65 BPM | |
 | Emmeline: Act One: The Lord Has spared this child" | Santa Fe Opera | B♭ Minor | 1 | 3A | 78 BPM | |
 | Thérèse Raquin, Act I Scene 2: Thank you, thank you, Suzanne (Madame, Suzanne) | Tobias Picker, Graeme Jenkins, Dallas Opera Orchestra, Diana Soviero, Sheryl Woods | C Major | 2 | 8B | 82 BPM | |
 | Picker: Old and Lost Rivers | Tobias Picker, Christoph Eschenbach, Houston Symphony | D♭ Major | 0 | 3B | 75 BPM | |
 | Petrushka, K012 (1947 Version), Pt. 1, "The Shrovetide Fair": I. Introduction - II. The Crowds - III. The Charlatan's Booth | Igor Stravinsky, Philharmonia Orchestra, Santtu-Matias Rouvali | B♭ Major | 2 | 6B | 122 BPM | |
 | Gaol song: Gaol Song | Ernest John Moeran, Marcus Farnsworth, Weybridge Male Voice Choir, John Talbot, Christine Best | D Minor | 2 | 7A | 100 BPM | |
 | Verdi: La traviata, Act 2: "Di Provenza il mar" (Instrumental Version, Arr. Pryce Jackman) | Giuseppe Verdi, Sir Neville Marriner, Graham Sheen, Academy of St. Martin in the Fields | A Minor | 0 | 8A | 80 BPM | |
 | Mass: Gloria: Gloria in Excelsis (Chorus) | Leonard Bernstein, Jubilant Sykes, Asher Edward Wulfman, Peabody Children's Chorus, Morgan State University Choir, Baltimore Symphony Orchestra, Marin Alsop | F Major | 0 | 7B | 81 BPM | |
 | Summer Night - Suite from 'The Duenna', Op. 123: 2. Serenade | Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 1 | 8B | 117 BPM | |
 | Old and Lost Rivers | Tobias Picker, Ursula Oppens | D♭ Major | 0 | 3B | 63 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9221329689025879
End: 0.9260618686676025