Silvius Leopold Weiss, Michel Cardin made "Sonata No. 4 in G Major, WeissSW 5: II. Allemande" available on January 1, 2015. Sonata No. 4 in G Major, WeissSW 5: II. Allemande is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. This song is part of Weiss: The Complete London Manuscript by Silvius Leopold Weiss, Michel Cardin. The song's track number on the album is #22 out of 231 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. The popularity of Sonata No. 4 in G Major, WeissSW 5: II. Allemande is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Sonata No. 4 in G Major, WeissSW 5: II. Allemande by Silvius Leopold Weiss, Michel Cardin has a tempo of 179 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Sonata No. 4 in G Major, WeissSW 5: II. Allemande being at 179 BPM, the half-time would be 90 BPM with a double-time of 358 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Song without Words, Op. 19, No. 4 | Felix Mendelssohn, Gerald Garcia | E Major | 0 | 12B | 126 BPM | ||
Fantasia 31 | Francesco da Milano, Shirley Rumsey | G Major | 0 | 9B | 145 BPM | ||
L'Eraclea: Dopo i nembi e le procelle | Tomaso Albinoni, Simone Kermes, Amici Veneziani | D Minor | 1 | 7A | 137 BPM | ||
La Guitarre Royalle: Fanfare | Francesco Corbetta, Eric Bellocq, Massimo Moscardo | D♭ Major | 0 | 3B | 86 BPM | ||
Flute Concerto in D Minor, QV 5:81: II. Arioso | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | E♭ Major | 0 | 5B | 134 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Preludio (Adagio) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 2 | 3B | 130 BPM | ||
Les castagnettes: Canaries | Jacques Gallot, Simone Vallerotonda | B♭ Major | 1 | 6B | 148 BPM | ||
Suite No. 1 in G Minor: IV. Saraband | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | D♭ Major | 0 | 3B | 86 BPM | ||
Prélude in C | Jean-Henri d'Anglebert, Andrew Lawrence-King | C Major | 0 | 8B | 71 BPM | ||
Fantasia - Instrumental | Alonso Mudarra, Lutz Kirchhof | F Major | 2 | 7B | 119 BPM |
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