"Smetana : Libuse : Overture to Act 1" by Eva Urbanova had its release date on 2002. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Smetana, Dvorák & Janácek : Opera Arias (Apex)". In this album, this song's track order is #9. Smetana : Libuse : Overture to Act 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Smetana : Libuse : Overture to Act 1 by Eva Urbanova having a BPM of 56 with a half-time of 28 BPM and a double-time of 112 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dalibor: Act III Scene 2: Jste jiz u konce? Kaj jste rozhodnuli? (Wladislaw, Judges) | Bedřich Smetana, Valery Popov, Eva Urbanova, Valeri Alexejev, Dagmar Schellenberger, Jiri Kalendovsky, Damir Basyrov, Valentin Prolat, Carmine Monaco, Alexandr Blagodarnyi, Bruno Pestarino, Teatro Lirico Chorus, Teatro Lirico Orchestra, Yoram David | G Major | 7 | 9B | 121 BPM | ||
Přísahám, Že Jsem To Já - Live | Karel Gott, Eva Urbanova | B Major | 3 | 1B | 80 BPM | ||
The Jacobin, Op. 84, B. 159, Act II, Scene 5: We Have Wandered in Foreign Lands (Julie, Bohuš) | Antonín Dvořák, Eva Urbanova, Dalibor Tolaš, Janáček Philharmonic Orchestra of Europe, Frantisek Preisler, Jr. | F Minor | 3 | 4A | 163 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Finale. Allegro brillante [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | D Major | 1 | 10B | 68 BPM | ||
Wagner - Tannhäuser: Pilgrim's Chorus, S443/R276 | Franz Liszt, William Wolfram | B♭ Major | 2 | 6B | 67 BPM | ||
Šárka, Op. 51, Act II: To statný čin byl, Radko! | Zdeněk Fibich, Ida Kirilova, Hannah Esther Minutillo, Klaudia Dernerová, Eva Urbanova, Simona Saturova, Adriana Kohútková, Adriana Hlavsova, Marta Benackova, Vienna Concert Choir, Vienna Radio Orchestra, Sylvain Cambreling | F♯ Major | 3 | 2B | 55 BPM | ||
Symphony in C Minor, EG 119: II. Adagio espressivo | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | E Major | 1 | 12B | 78 BPM | ||
Beethoven: Coriolan Overture, Op. 62 | Ludwig van Beethoven, Deutsche Kammerphilharmonie Bremen, Daniel Harding | E Major | 1 | 12B | 124 BPM | ||
Der Hochzeitszug (Wedding Scenes) (orch. F. Hertl): I. Wedding Procession | Bedřich Smetana, F. Hertl, Slovak Radio Symphony Orchestra, Robert Stankovsky | C Major | 0 | 8B | 129 BPM | ||
Hungarian Dance No.12 in D Minor, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Minor | 1 | 7A | 75 BPM |