"Adrien, Acte I: VI. Air et récit "Belle captive..."" by Étienne Nicolas Méhul, Orfeo Orchestra, Gyorgy Vashegyi, Gabrielle Philiponet, Philippe Do, Nicolas Courjal, Jean Teitgen had its release date on July 31, 2015. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Étienne Nicolas Méhul, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi's "Méhul: Adrien" album is number 6 out of 42. On top of that, Spain appears to be the country where this track was created. The popularity of Adrien, Acte I: VI. Air et récit "Belle captive..." is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Adrien, Acte I: VI. Air et récit "Belle captive..." by Étienne Nicolas Méhul, Orfeo Orchestra, Gyorgy Vashegyi, Gabrielle Philiponet, Philippe Do, Nicolas Courjal, Jean Teitgen to be Vivace (lively and fast) because the track has a tempo of 173 BPM, a half-time of 86BPM, and a double-time of 346 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Egyptian March, Op. 335 | Johann Strauss II, Cincinnati Pops Orchestra, Erich Kunzel, Cincinnati Pops Chorale | G Minor | 4 | 6A | 104 BPM | ||
Salut For August Bournonville, Galop (1869) | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 3 | 10B | 161 BPM | ||
Uthal: Ouverture | Étienne Nicolas Méhul, Les Talens Lyriques, Christophe Rousset | C Major | 1 | 8B | 89 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Overture: Le Trésor Supposé | Étienne Nicolas Méhul, The Gulbenkian Orchestra, Michel Swierczewski | A Major | 1 | 11B | 206 BPM | ||
Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages) | Jean-Philippe Rameau, Sabine Devieilhe, Aimery Lefèvre, Le Jeune Choeur de Paris, Alexis Kossenko, Les Ambassadeurs | F♯ Minor | 3 | 11A | 85 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçons | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
Chant du départ & La Marseillaise | Étienne Nicolas Méhul, Rouget de Lisle, Arsys Bourgogne | C Major | 1 | 8B | 95 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Erlkönig, D. 328 (Op.1) | Franz Schubert, Bryn Terfel, Malcolm Martineau | F Minor | 2 | 4A | 72 BPM |