"Im wunderschonen Monat Mai (After R. Schumann & F. Schubert): No. 7. Meeresstille" by Reinbert de Leeuw, Schönberg Ensemble, Barbara Sukowa was released on September 1, 2014. The duration of Im wunderschonen Monat Mai (After R. Schumann & F. Schubert): No. 7. Meeresstille is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Im wunderschonen Monat Mai (After R. Schumann & F. Schubert): No. 7. Meeresstille's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Reinbert de Leeuw, Schönberg Ensemble, Barbara Sukowa's "Im wunderschönen Monat Mai" album is number 7 out of 21. The popularity of Im wunderschonen Monat Mai (After R. Schumann & F. Schubert): No. 7. Meeresstille is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Im wunderschonen Monat Mai (After R. Schumann & F. Schubert): No. 7. Meeresstille by Reinbert de Leeuw, Schönberg Ensemble, Barbara Sukowa to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fünf Lieder nach Gedichten von Richard Dehmel: III. Himmelfahrt | Anton Webern, Barbara Hannigan, Reinbert de Leeuw | F♯ Major | 0 | 2B | 75 BPM | ||
En vacances: Où l'on entend une vieille boite à musique: | Déodat de Séverac, Anne Queffélec | B♭ Major | 2 | 6B | 106 BPM | ||
Soirées musicales Op. 6: II. Notturno | Clara Schumann, Mika Sasaki | F Major | 0 | 7B | 74 BPM | ||
Lyric Pieces Book X, Op. 71: No. 3 Puck | Edvard Grieg, Emil Gilels | B Major | 1 | 1B | 92 BPM | ||
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
3 Piano Pieces, Op. 54: I. Vesipisaroita (Raindrops) | Selim Palmgren, Risto Lauriala | E Minor | 0 | 9A | 105 BPM | ||
4 Ballades, Op. 10: No. 4 in B Major. Andante con molto | Johannes Brahms, Glenn Gould | B Major | 0 | 1B | 137 BPM | ||
Mignon Lieder nach Gedichte von Goethe: III. Mignon III | Hugo Wolf, Barbara Hannigan, Reinbert de Leeuw | F♯ Major | 0 | 2B | 75 BPM | ||
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Samson François, Orchestre De La Société Des Concerts Du Conservatoire, André Cluytens | A♭ Major | 2 | 4B | 126 BPM |
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