"Lily" by Leon Kirchner, Ron Jackson, Joel Fan, Lisa Kirchner, Dwayne Burno, Sherman Irby, Willie Jones III was released on May 1, 2011. The duration of Lily is about 3 minutes long, at 3:05. Based on our data, "Lily" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Something to Sing About". In this album, this song's track order is #12. Lily is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lily by Leon Kirchner, Ron Jackson, Joel Fan, Lisa Kirchner, Dwayne Burno, Sherman Irby, Willie Jones III having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Orchestra Piece (Music for Orchestra II) | Leon Kirchner, Boston Modern Orchestra Project, Gil Rose | A Minor | 2 | 8A | 89 BPM | ||
Sonata in D Minor for Cello & Piano, L.135: 1. Prologue (lent) | Claude Debussy, Lynn Harrell, Vladimir Ashkenazy | F Major | 0 | 7B | 99 BPM | ||
Preludes: Les sons impalpables du reve (The Impalpable Sounds of the Dream) | Olivier Messiaen, Håkon Austbø | E Major | 1 | 12B | 135 BPM | ||
Piano Concerto No. 2 In G Minor, Op. 16: 2. Scherzo (Vivace) | Sergei Prokofiev, YUNDI, Berliner Philharmoniker, Seiji Ozawa | F♯ Minor | 2 | 11A | 100 BPM | ||
String Quartet no.2, op.10: 1. Allegro | Zoltán Kodály, Hagen Quartett | D Minor | 1 | 7A | 79 BPM | ||
Symphony No. 5: IV. Passacaglia. Moderato | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Sonata for Violin and Piano No. 1 in F Minor, Op. 80: III. Andante | Sergei Prokofiev, Gidon Kremer, Martha Argerich | G Minor | 4 | 6A | 92 BPM | ||
Serenade, Op. 1: II. Andante con moto | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 83 BPM | ||
Barber: Piano Sonata Op.26, (i) Allegro Energico | Fiachra Garvey, Samuel Barber | B Major | 1 | 1B | 136 BPM |
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