Tomás Luis de Victoria, Carlos Mena, Francisco Rubio Gallego, Juan Carlos Rivera's 'Crucifixus Missa Quam pulchri sunt (solo vihuela)' came out on June 22, 2010. The duration of Crucifixus Missa Quam pulchri sunt (solo vihuela) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Crucifixus Missa Quam pulchri sunt (solo vihuela)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Victoria: Et Jesum, Motets for solo voice by Tomás Luis de Victoria, Carlos Mena, Juan Carlos Rivera, Francisco Rubio Gallego. The song's track number on the album is #21 out of 23 tracks. In terms of popularity, Crucifixus Missa Quam pulchri sunt (solo vihuela) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Crucifixus Missa Quam pulchri sunt (solo vihuela) by Tomás Luis de Victoria, Carlos Mena, Francisco Rubio Gallego, Juan Carlos Rivera has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Crucifixus Missa Quam pulchri sunt (solo vihuela) being at 93 BPM, the half-time would be 46 BPM with a double-time of 186 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
27 2- and 3- Part Choruses, BB 111, Vol. 3: No. 1. Ne menj el (Don't Leave Me) | Béla Bartók, Schola Hungarica, László Dobszay | B♭ Minor | 0 | 3A | 76 BPM | ||
Sacred Heart (Ubi Caritas III) | Ola Gjeilo, Westminster Williamson Voices, Valissa Willwerth, Blake Espy, Pamela Fay, Glenn Fischbach, James Jordan | F♯ Major | 4 | 2B | 123 BPM | ||
Sanctus | Jacob Clemens non Papa, The Monteverdi Choir, John Eliot Gardiner | D Major | 1 | 10B | 130 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Haec est dies | Jacobus Gallus, Pro Musica, Szabó Dénes | F Major | 1 | 7B | 66 BPM | ||
Tenebrae Responsories - Matins Responsories for Holy Saturday: Nocturn II - O vos omnes | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
Also hat Gott die Welt geliebt, SWV 380 | Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze | F Minor | 2 | 4A | 72 BPM | ||
In nomine Iesu: Adoramus te | Loyset Compère, Odhecaton, Paolo da Col | C Major | 1 | 8B | 70 BPM | ||
Weep, O mine eyes | John Bennet, Amarcord | A Minor | 1 | 8A | 121 BPM | ||
O mors inevitabili | Jheronimus Vinders, Obsidienne Vocal Ensemble, Emmanuel Bonnardot | G Major | 2 | 9B | 91 BPM |
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