Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze's 'Also hat Gott die Welt geliebt, SWV 380' came out on October 2, 2020. The duration of Also hat Gott die Welt geliebt, SWV 380 is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Also hat Gott die Welt geliebt, SWV 380's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake's "Geistliche Chor-Music 1648" album is number 12 out of 15. On top of that, Germany appears to be the country where this track was created. Also hat Gott die Welt geliebt, SWV 380 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Also hat Gott die Welt geliebt, SWV 380 by Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trist'Amarilli mia | Philippe Verdelot, Profeti Della Quinta | F♯ Minor | 1 | 11A | 83 BPM | ||
In dulci jubilo, BuxWV 52 | Dietrich Buxtehude, Anna Gschwend, Lucia Napoli, Christian Wagner, La Petite Bande, Sigiswald Kuijken | E Major | 1 | 12B | 75 BPM | ||
Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | ||
Three Songs, Op. 42: I. Abendständchen | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM | ||
Symphoniae sacrae II, SWV 350: Lobet den Herrn | Heinrich Schütz, David de Winter, Rachel Harris, Kathryn Parry, Tatty Theo, Lynda Sayce, Lisete da Silva Bull, Emily Bannister, Carolyn Gibley | F♯ Major | 3 | 2B | 175 BPM | ||
Salve Regina à 8 | Léonard de Hodémont /, Ensemble Polyharmonique, Alexander Schneider, Concerto Imperiale, Fabien Moulaert | A Minor | 1 | 8A | 78 BPM | ||
Alma redemptoris mater in E-Flat Major, S. 23 | Johann David Heinichen, Magdalene Harer, Alexander Schneider, Johannes Gaubitz, Matthias Lutze, Ensemble Polyharmonique, Wroclaw Baroque Orchestra, Jaroslaw Thiel | B Minor | 1 | 10A | 129 BPM | ||
Innsbruck, ich muss dich lassen | Heinrich Isaac, Capilla Flamenca | F Major | 0 | 7B | 94 BPM | ||
Missa Sancti Spiritus, ZWV 4: Et unam Sanctam | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Ancor che col partire | Cipriano de Rore, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 2 | 8A | 73 BPM |
Section: 0.6397197246551514
End: 0.6438031196594238