The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) - Camille Saint-Saëns, Yo-Yo Ma & The Silk Road Ensemble, Kathryn Stott Information

Acousticness: 99%
Danceability: 17%
Energy: 2%
Instrumentalness: 86%
Liveness: 8%
Loudness: 48%
Speechiness: 4%
Valence: 6%
Popularity: 71%
Loudness: -31.034 dB

Summary

"The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano)" by Camille Saint-Saëns, Yo-Yo Ma & The Silk Road Ensemble, Kathryn Stott was released on September 18, 2015. The duration of The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Songs from the Arc of Life". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Based on our statistics, The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano)'s popularity is fairly popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) BPM

With The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) by Camille Saint-Saëns, Yo-Yo Ma & The Silk Road Ensemble, Kathryn Stott having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) Key

A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings)	Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog	B Minor	1	10A	87 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	D Major	0	10B	176 BPM
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102)	Robert Schumann, Yo-Yo Ma, Kathryn Stott	F Major	1	7B	114 BPM
Concerto in D Minor, Op.7, No.4: I. Adagio	George Frideric Handel, Academy of Ancient Music, Richard Egarr	D♭ Minor	0	12A	75 BPM
Abdelazer: Rondeau	Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner	B Minor	1	10A	66 BPM
Carnaval, Op. 9: XII. Chopin	Robert Schumann, Daniil Trifonov	E Major	0	12B	68 BPM
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7	Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin	A Major	0	11B	87 BPM
Le Carnaval des Animaux: Fossiles	Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm	E♭ Major	3	5B	123 BPM
Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor)	Frédéric Chopin, Magdalena Hoffmann	A♭ Minor	1	1A	127 BPM
Nocturnes, Op. 9: No. 2 in E-Flat Major. Andante	Frédéric Chopin, Brigitte Engerer	E♭ Major	0	5B	64 BPM

ISRC: USQX91500824
Label: L-M Records/RCA Records

Section: 0.7761585712432861

End: 0.7796840667724609