Benjamin Britten, Mischa Maisky, Lily Maisky's 'Cello Sonata in C Major, Op. 65: 2. Scherzo-pizzicato. Allegretto (Ed. Rostropovich) - Live at Schloss Elmau, Krün / 2016' came out on June 27, 2020. The duration of Cello Sonata in C Major, Op. 65: 2. Scherzo-pizzicato. Allegretto (Ed. Rostropovich) - Live at Schloss Elmau, Krün / 2016 is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Cello Sonata in C Major, Op. 65: 2. Scherzo-pizzicato. Allegretto (Ed. Rostropovich) - Live at Schloss Elmau, Krün / 2016's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 61 in Britten: His Music by Benjamin Britten. Based on our statistics, Cello Sonata in C Major, Op. 65: 2. Scherzo-pizzicato. Allegretto (Ed. Rostropovich) - Live at Schloss Elmau, Krün / 2016's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Cello Sonata in C Major, Op. 65: 2. Scherzo-pizzicato. Allegretto (Ed. Rostropovich) - Live at Schloss Elmau, Krün / 2016 by Benjamin Britten, Mischa Maisky, Lily Maisky is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mahler: Symphony No. 2, "Resurrection": IV. Urlicht, "Der Mensch liegt in grösster Not" (Alto). Sehr feierlich, aber schlicht | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | D♭ Major | 0 | 3B | 137 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Britten: Holiday Diary, Op. 5: II. Sailing | Benjamin Britten, Stephen Hough | D Major | 0 | 10B | 76 BPM | ||
Festive Overture, Op.96 | Dmitri Shostakovich, Maxim Shostakovich, London Symphony Orchestra | A Major | 3 | 11B | 83 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 82 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Karelia Suite, Op.11: 3. Alla marcia (Moderato) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 3 | 11B | 164 BPM | ||
Brandenburg Concerto No. 6 in B flat, BWV 1051: 1. -- | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
Sonata in D Minor for Cello & Piano, L.135: 2. Sérénade (Modérément animé) | Claude Debussy, Mstislav Rostropovich, Benjamin Britten | F♯ Minor | 0 | 11A | 134 BPM | ||
Peter Grimes, Op. 33 / Act 2: "Glitter Of Waves" | Benjamin Britten, Claire Watson, John Lanigan, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | A♭ Major | 1 | 4B | 67 BPM |
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