- BPM
- 63
- Key
- A♭ Major
- Camelot
- 4B
Coronation Anthem - The King Shall Rejoice, HWV260: Exceeding glad shall he be - The Sixteen Information
- Acousticness
- 98%
- Danceability
- 17%
- Energy
- 11%
- Instrumentalness
- 8%
- Liveness
- 18%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 34%
- Popularity
- 9%
- Loudness
- -21.357 dB
Summary
The Sixteen's 'Coronation Anthem - The King Shall Rejoice, HWV260: Exceeding glad shall he be' came out on February 2, 2009. The duration of Coronation Anthem - The King Shall Rejoice, HWV260: Exceeding glad shall he be is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Coronation Anthem - The King Shall Rejoice, HWV260: Exceeding glad shall he be's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Sixteen's "Handel: Coronation Anthems" album is number 12 out of 20. Coronation Anthem - The King Shall Rejoice, HWV260: Exceeding glad shall he be is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Coronation Anthem - The King Shall Rejoice, HWV260: Exceeding glad shall he be BPM
We consider the tempo marking of Coronation Anthem - The King Shall Rejoice, HWV260: Exceeding glad shall he be by The Sixteen to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Coronation Anthem - The King Shall Rejoice, HWV260: Exceeding glad shall he be Key
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Io Mi Son Giovinetta | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | D Major | 2 | 10B | 84 BPM | |
 | Vespro della Beata Vergine, SV 206: Hymnus "Ave maris stella" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Major | 1 | 9B | 123 BPM | |
 | Thou knowest, Lord, the secrets of our hearts - 1695 version | The Sixteen | B Major | 1 | 1B | 65 BPM | |
 | Hymnus: Ave maris stella | Claudio Monteverdi, Jordi Savall, La Capella Reial, Coro Del Centro Musica Antica Di Padova | D Minor | 3 | 7A | 101 BPM | |
 | Veni Creator Spiritus | Giovanni Pierluigi da Palestrina, The Sixteen, Harry Christophers | A♭ Major | 3 | 4B | 132 BPM | |
 | De profundis | Arvo Pärt, Estonian National Male Choir, BBC Philharmonic, John Storgårds | E Minor | 1 | 9A | 133 BPM | |
 | The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | |
 | Crucifixus (8vv) | Antonio Lotti, Choir of St. John's College, Cambridge, London Philharmonic Orchestra, George Guest | C Minor | 2 | 5A | 86 BPM | |
 | Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 1 | 7A | 81 BPM | |
 | Magnificat in D Minor | Thomas Attwood Walmisley, Rochester Cathedral Choir, William Whitehead, Roger Sayer | C Minor | 1 | 5A | 76 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7491531372070312
End: 0.7531745433807373