Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman made "Pièces de viole du Troisième Livre, suite I en la mineur: Courante [3] (1711)" available on September 27, 2011. With Pièces de viole du Troisième Livre, suite I en la mineur: Courante [3] (1711) being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman's "Marin Marais: Pièces de viole des Cinq Livres" album is number 34 out of 83. Based on our statistics, Pièces de viole du Troisième Livre, suite I en la mineur: Courante [3] (1711)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Pièces de viole du Troisième Livre, suite I en la mineur: Courante [3] (1711) by Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata No. 3 in C Major: III. Amoroso | Alessandro Scarlatti, Guadalupe López-Íñiguez, Markku Luolajan-Mikkola, Olli Hyyrynen | D♭ Major | 2 | 3B | 120 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": IV. Scotch Tune | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 107 BPM | ||
La Sonnerie de Sainte-Geneviève du mont de Paris | Marin Marais, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 2 | 1A | 119 BPM | ||
… che col partire | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 118 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: I. Largo | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 1 | 1A | 88 BPM | ||
Flute Concerto in D Minor, RV 431a "Il gran mogol": II. Larghetto | Antonio Vivaldi, Barthold Kuijken, Indianapolis Baroque Orchestra | B♭ Major | 4 | 6B | 129 BPM | ||
Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM | ||
Sonates sans basse: Sonata No. 2 in D Major, TWV 40:102: Dolce | Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque | D Major | 1 | 10B | 126 BPM | ||
Fantasias & In Nomines: No. 15 in G Minor, In Nomine a 6, Z. 746 | Henry Purcell, Chelys Consort of Viols, Emily Ashton | F♯ Minor | 1 | 11A | 108 BPM |
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