Franz Joseph Haydn, Kathleen Battle, Berliner Philharmoniker, James Levine made "Die Schöpfung Hob. XXI:2 / Zweiter Teil: 14. Rezitativ: Und Gott sprach: Es bringe das Wasser" available on January 1, 1991. With Die Schöpfung Hob. XXI:2 / Zweiter Teil: 14. Rezitativ: Und Gott sprach: Es bringe das Wasser being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, James Levine's "Haydn: The Creation H.21" album is number 14 out of 34. On top of that, Germany appears to be the country where this track was created. Die Schöpfung Hob. XXI:2 / Zweiter Teil: 14. Rezitativ: Und Gott sprach: Es bringe das Wasser is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Die Schöpfung Hob. XXI:2 / Zweiter Teil: 14. Rezitativ: Und Gott sprach: Es bringe das Wasser by Franz Joseph Haydn, Kathleen Battle, Berliner Philharmoniker, James Levine to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quintet in D Minor: III. Adagietto | Ján Levoslav Bella, Frantisek Magyar, Moyzesovo kvarteto | F Minor | 1 | 4A | 127 BPM | ||
Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | ||
String Quartet No.5 in E Flat Major, Hob.II:6 (Op.1 No.0): 1. Presto | Franz Joseph Haydn, The Angeles String Quartet | B♭ Major | 1 | 6B | 114 BPM | ||
Serenade No. 1 in D Major, Op. 11: IVa. Menuetto I | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | B♭ Minor | 0 | 3A | 60 BPM | ||
Fantasie in G Minor, Op. 123: II. The Hunter’s Song | Johann Nepomuk Hummel, Madoka Inui | F Major | 1 | 7B | 155 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro | Johann Sebastian Bach, Elizabeth Wallfisch/Lisa Beznosiuk/Malcolm Proud/Orchestra of the Age of Enlightenment, Elizabeth Wallfisch, Orchestra of the Age of Enlightenment | D♭ Major | 3 | 3B | 101 BPM | ||
Symphony No. 1 in C Major, "Die 4 Weltalter" (the 4 Ages of the World): III. Minuetto con garbo | Carl Ditters von Dittersdorf, Failoni Kamarazenekar, Hanspeter Gmür | A Minor | 0 | 8A | 125 BPM | ||
Boccherini: Cello Concerto No. 7 in G Major, G. 480: I. Allegro | Luigi Boccherini, Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | F Major | 5 | 7B | 107 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: I. Allegro con brio | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 89 BPM |
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