Johann Sebastian Bach, Malin Hartelius, Melinda Paulsen, Tom Allen, Dietrich Henschel, KlangVerwaltung, Chorgemeinschaft Neubeuern, Enoch zu Guttenberg's 'Weihnachtsoratorium, BWV 248: IV. Teil - Nr. 42: Choral "Jesus richte mein Beginnen"' came out on June 18, 2021. The duration of Weihnachtsoratorium, BWV 248: IV. Teil - Nr. 42: Choral "Jesus richte mein Beginnen" is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Weihnachtsoratorium, BWV 248: IV. Teil - Nr. 42: Choral "Jesus richte mein Beginnen"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 64 in Bach: Weihnachtsoratorium by Johann Sebastian Bach, Enoch zu Guttenberg, KlangVerwaltung, Chorgemeinschaft Neubeuern, Malin Hartelius, Melinda Paulsen, Tom Allen, Dietrich Henschel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Weihnachtsoratorium, BWV 248: IV. Teil - Nr. 42: Choral "Jesus richte mein Beginnen" is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Weihnachtsoratorium, BWV 248: IV. Teil - Nr. 42: Choral "Jesus richte mein Beginnen" by Johann Sebastian Bach, Malin Hartelius, Melinda Paulsen, Tom Allen, Dietrich Henschel, KlangVerwaltung, Chorgemeinschaft Neubeuern, Enoch zu Guttenberg is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Concerto For 4 Harpsichords, Strings, And Continuo In A Minor, BWV 1065: 1. (Allegro) | Johann Sebastian Bach, Maurizio Baglini, Marcello Mazzoni, Andrea Padova, Marco Scolastra, I Solisti Filarmonici Italiani, Federico Guglielmo | A Minor | 5 | 8A | 101 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": I. (Allegro) | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 105 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Cello Suite No. 2 in D Minor, BWV 1008: I. Prélude | Johann Sebastian Bach, Yo-Yo Ma | D Minor | 0 | 7A | 124 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM |
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