Craig Hella Johnson, Conspirare's 'Considering Matthew Shepard: Passion, 10. Keep It Away From Me (The Wound of Love)' came out on September 9, 2016. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Craig Hella Johnson, Conspirare's "Johnson: Considering Matthew Shepard" album is number 10 out of 33. Considering Matthew Shepard: Passion, 10. Keep It Away From Me (The Wound of Love) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Considering Matthew Shepard: Passion, 10. Keep It Away From Me (The Wound of Love) by Craig Hella Johnson, Conspirare to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Now Sleeps the Crimson Petal | Charlotte Hoather, George Todica | E Minor | 2 | 9A | 88 BPM | ||
Canción de cuna para dormir a un negrito (Transcr. for Mezzosoprano and Guitar) | Xavier Montsalvatge, Elina Garanca, José Maria Gallardo del Rey | A♭ Major | 0 | 4B | 81 BPM | ||
My Voice | LYTALINA | E♭ Major | 2 | 5B | 96 BPM | ||
And You’re Mine | Tasmanian Symphony Orchestra, Naomi Crellin | A Major | 2 | 11B | 139 BPM | ||
Nyon Nyon | Millikin University Choir | E Major | 3 | 12B | 105 BPM | ||
Mass In Blue, Op. 28: I. Kyrie | Will Todd, Bethany Halliday, Jim Fleeman, Gareth Huw, Jeremy Backhouse | F Minor | 3 | 4A | 104 BPM | ||
Ground | tanishq phalswal, Secret Nation | F♯ Major | 0 | 2B | 128 BPM | ||
The Lovers, Op. 43: IV. Close your eyes | Samuel Barber, Robert Kyr, Conspirare, Chamber Orchestra, Craig Hella Johnson | D Major | 0 | 10B | 86 BPM | ||
A Mirage | Spark, Wallis Bird | C Major | 3 | 8B | 132 BPM | ||
Learned Poets - Mixed voices | Bob Chilcott, The Oxford Choir | B♭ Major | 2 | 6B | 131 BPM |
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