"Werther / Act III: "Pourquoi me réveiller" (Adapt. for Cello and Orchestra)" by Jules Massenet, Camille Thomas, Brussels Philharmonic, Mathieu Herzog was released on June 5, 2020. The duration of Werther / Act III: "Pourquoi me réveiller" (Adapt. for Cello and Orchestra) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Werther / Act III: "Pourquoi me réveiller" (Adapt. for Cello and Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Voice Of Hope by Camille Thomas, Brussels Philharmonic, Stéphane Denève, Mathieu Herzog. The song's track number on the album is #12 out of 16 tracks. Werther / Act III: "Pourquoi me réveiller" (Adapt. for Cello and Orchestra) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Werther / Act III: "Pourquoi me réveiller" (Adapt. for Cello and Orchestra) by Jules Massenet, Camille Thomas, Brussels Philharmonic, Mathieu Herzog has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Werther / Act III: "Pourquoi me réveiller" (Adapt. for Cello and Orchestra) being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Priceless Beauty | Dirk Brossé, Brussels Philharmonic | G Minor | 3 | 6A | 69 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" (Adapt. for Cello and Orchestra) | Gaetano Donizetti, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B♭ Minor | 1 | 3A | 169 BPM | ||
Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar) | Jacques Offenbach, Nemanja Radulović, Camille Thomas, Double Sens | D Major | 0 | 10B | 73 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Andrew von Oeyen, Emmanuel Villaume, Prague Philharmonia | D♭ Minor | 0 | 12A | 75 BPM | ||
Rêverie au bord de la mer, WoO | Jacques Offenbach, Raphaela Gromes, Julian Riem | G Major | 1 | 9B | 73 BPM | ||
Gaîté parisienne: Barcarolle - Excerpt | Jacques Offenbach, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 1 | 10B | 68 BPM | ||
Bottesini: Double Bass Concerto in B Minor: III. Finale. Allegro | Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic | G Major | 3 | 9B | 118 BPM | ||
6 Morceaux, Op. 19: No. 4. Nocturne (version for cello and strings) | Pyotr Ilyich Tchaikovsky, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | D Minor | 1 | 7A | 80 BPM |
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