"12 Études, Op. 10: No. 12 in C Minor "Revolutionary"" by Frédéric Chopin, Maurizio Pollini was released on January 1, 1984. The duration of 12 Études, Op. 10: No. 12 in C Minor "Revolutionary" is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. 12 Études, Op. 10: No. 12 in C Minor "Revolutionary"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 24 in Chopin: Etudes Opp.10 & 25 by Frédéric Chopin, Maurizio Pollini. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, 12 Études, Op. 10: No. 12 in C Minor "Revolutionary" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 12 Études, Op. 10: No. 12 in C Minor "Revolutionary" by Frédéric Chopin, Maurizio Pollini is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Winter (L'Inverno) Op.8 No.4 F Minor: Allegro | Baroque Festival Orchestra, Alberto Lizzio | F Minor | 0 | 4A | 153 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude and Fugue in C Minor, BWV 847 | Johann Sebastian Bach, András Schiff | C Minor | 3 | 5A | 90 BPM | ||
Chopin: Nocturne No. 13 in C Minor, Op. 48 No. 1 | Frédéric Chopin, YUNDI | C Major | 1 | 8B | 87 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
Piano Concerto in A Minor, Op.16: III. Allegro moderato molto e marcato | Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo | F Major | 2 | 7B | 114 BPM | ||
Moto perpetuo, Op. 11, MS 72 (Version for violin and orchestra) | Niccolò Paganini, Ivan Pochekin, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 5 | 8B | 174 BPM | ||
24 Préludes, Op. 28: 19. In E Flat Major | Frédéric Chopin, Maurizio Pollini | D Minor | 2 | 7A | 124 BPM |
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