- BPM
- 63
- Key
- A♭ Major
- Camelot
- 4B
Un ballo in maschera, Act III: Ma se m'e forza perderti - Giuseppe Verdi, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma Information
- Acousticness
- 97%
- Danceability
- 20%
- Energy
- 4%
- Instrumentalness
- 0%
- Liveness
- 16%
- Loudness
- 64%
- Speechiness
- 6%
- Valence
- 4%
- Popularity
- 6%
- Loudness
- -21.652 dB
Summary
"Un ballo in maschera, Act III: Ma se m'e forza perderti" by Giuseppe Verdi, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma was released on September 20, 2010. With this song being about 5 minutes long, at 4:54, "Un ballo in maschera, Act III: Ma se m'e forza perderti" by Giuseppe Verdi, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "The Italian Tenor". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Un ballo in maschera, Act III: Ma se m'e forza perderti is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Un ballo in maschera, Act III: Ma se m'e forza perderti BPM
With Un ballo in maschera, Act III: Ma se m'e forza perderti by Giuseppe Verdi, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Un ballo in maschera, Act III: Ma se m'e forza perderti Key
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | |
 | La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | |
 | Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | |
 | Tosca: Act III: O dolci mani mansuete e pure (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | |
 | L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | |
 | La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | |
 | Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | |
 | La traviata, Act I: Libiamo ne lieti calici | Giuseppe Verdi, Marta Torbidoni, Michail Michailov, Anton Keremidtchiev, Elisabetta Lombardi, Emilia Kircheva, Alexander Baranov, Orfey Petrov, Nikola Ivanov, Peter Petrov, Sofia Philharmonic Orchestra, Ljubka Biagioni | B♭ Major | 1 | 6B | 75 BPM | |
 | L'elisir d'amore / Act 1: "Quanto è bella" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 80 BPM | |
 | Don Carlo, Act I: Dio che nell'alma (Carlo/Rodrigo/Coro di Frati/Un frate) | Giuseppe Verdi, Luciano Pavarotti, Paolo Coni, Andrea Silvestrelli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan | F Major | 4 | 7B | 89 BPM |
- ISRC
- USSM11002216
- Label
- L-M Records/RCA Records
Section: 0.6128058433532715
End: 0.6169178485870361