György Ligeti made "Ligeti : With Pipes, Drums, Fiddles : V Alma álma" available on September 1, 2002. The duration of Ligeti : With Pipes, Drums, Fiddles : V Alma álma is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Ligeti : With Pipes, Drums, Fiddles : V Alma álma's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in György Ligeti, Reinbert de Leeuw, Asko Ensemble, Schönberg Ensemble's "Ligeti : Project Vol.3 - Cello Concerto, Clocks & Clouds, Violin Concerto & Síppal, Dobbal, Nádihegedüvel" album is number 13 out of 15. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Ligeti : With Pipes, Drums, Fiddles : V Alma álma is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Ligeti : With Pipes, Drums, Fiddles : V Alma álma by György Ligeti to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Kammerkonzert pour treize instrumentistes: I. Corrente | György Ligeti, Jeanne-Marie Conquer, Diego Tosi, Odile Auboin, Eric Maria Couturier, Nicolas Crosse, Emmanuelle Ophele, Philippe Grauvogel, Alain Billard, Jérôme Comte, Jens McManama, Lucas Ounissi, Hideki Nagano, Sébastien Vichard | B Minor | 0 | 10A | 134 BPM | ||
China Gates | John Adams, Yuja Wang | E♭ Minor | 1 | 2A | 161 BPM | ||
3 Pieces for Orchestra, Op. 6: 1. Praeludium (Prelude) | Alban Berg, Wiener Philharmoniker, Claudio Abbado | F Minor | 1 | 4A | 128 BPM | ||
Must the Devil Have All the Good Tunes?: II. Much Slower; Gently, Relaxed | John Adams, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | F Major | 1 | 7B | 60 BPM | ||
Ionisation | Edgard Varèse, Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee | A Major | 6 | 11B | 116 BPM | ||
Requiem: II. Kyrie | György Ligeti, WDR Sinfonieorchester, WDR Rundfunkchor Köln, SWR Vokalensemble Stuttgart, Peter Eötvös | F Minor | 2 | 4A | 65 BPM | ||
String Quartet in F Major: III. Tres Lent | Maurice Ravel, Cavani Quartet | D♭ Major | 0 | 3B | 88 BPM | ||
Loutky (Puppets), H. 92: No. 1. Pierrotovo zastavenicko (Pierrot's Serenade) | Bohuslav Martinů, Giorgio Koukl | G Minor | 0 | 6A | 169 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM |
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