Maria Cebotari, Berliner Rundfunk-Sinfonie-Orchester, Helge Rosvaenge, Heinrich Schlusnus's 'Wird er meinem Blick folgen (La Traviata)' came out on August 7, 2006. Since Wird er meinem Blick folgen (La Traviata) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "The Art of Maria Cebotari". In this album, this song's track order is #10. Wird er meinem Blick folgen (La Traviata) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Wird er meinem Blick folgen (La Traviata) by Maria Cebotari, Berliner Rundfunk-Sinfonie-Orchester, Helge Rosvaenge, Heinrich Schlusnus having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mädchen, in deinen Augen liegt ein Zauber (Madame Butterfly) | Maria Cebotari, Staatskapelle Berlin, Herbert Ernst Groh | A Major | 3 | 11B | 95 BPM | ||
Frau Luna: Schlösser,die im Monde liegen (Bolten-Baeckers) | Paul Lincke, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
Du liebst ihn? Immer! (Rigoletto) | Helge Rosvaenge, Berliner Rundfunk Orchester, Willi Domgraf - Fassbänder, Maria Cebotari | A Major | 1 | 11B | 77 BPM | ||
Die Hand...nichts mehr von Liebe! (La Traviata) | Maria Cebotari, Chor Der Staatsoper Berlin, Heinrich Schlusnus, Staatskapelle Berlin, Helge Rosvaenge | F Minor | 3 | 4A | 74 BPM | ||
Ja, es ward Abend (Madame Butterfly) | Helge Rosvaenge, Berliner Rundfunk-Sinfonie-Orchester, Maria Cebotari | A Major | 3 | 11B | 78 BPM | ||
Der Zaubertrank, Pt. 1: VII. Am dritten Tage, als Tristan | Frank Martin, Julius Patzak, Maria Cebotari, Hilde Zadek, Vienna State Opera Chorus, Budapest Philharmonic Orchestra, Ferenc Fricsay | D Major | 1 | 10B | 71 BPM | ||
Die Fledermaus: Act III: Finale: O Fledermaus, o Fledermaus (Rosalinde, Adele, Ida, Orlofsky) | Johann Strauss II, Aga Mikolaj, Chen Reiss, Sabine Kallhammer, Natascha Petrinsky, Cologne West German Radio Orchestra, Friedrich Haider | D Major | 3 | 10B | 123 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Qui di sposa eterna fede...Ah, soltanto il nostro foco" (Edgardo, Lucia) | Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Lucia di Lammermoor, Act II: Che fia!...Suonar di giubilo | Gaetano Donizetti, Zuzana Markova, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | E♭ Major | 3 | 5B | 76 BPM | ||
Madama Butterfly, Act III: Addio, fiorito asil | Giacomo Puccini, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | D♭ Major | 2 | 3B | 79 BPM |
Section: 0.6991448402404785
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