"La Bohème: Act III: O buon Marcello, aiuto!" by Giacomo Puccini, Montserrat Caballé, Sherrill Milnes, Sir Georg Solti was released on 1974. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 37 in the song's album "Puccini: La Bohème - The Sony Opera House". In this album, this song's track order is #24. La Bohème: Act III: O buon Marcello, aiuto! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème: Act III: O buon Marcello, aiuto! by Giacomo Puccini, Montserrat Caballé, Sherrill Milnes, Sir Georg Solti having a BPM of 44 with a half-time of 22 BPM and a double-time of 88 BPM, we would consider this track to have a Grave (very slow) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Boheme - Gesamtaufnahme in deutscher Sprache, 2. Bild: Wo ich auch geh', sei es allein am Abend in Paris | Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Lucia Popp, Stefan Soltesz, Muenchner Rundfunkorchester, Munich Radio Orchestra | D Minor | 1 | 7A | 131 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | ||
Mattinata | Ruggero Leoncavallo, Jonas Kaufmann, Asher Fisch | E♭ Major | 2 | 5B | 172 BPM | ||
La bohème, SC 67: Dunque è proprio finita | Giacomo Puccini, Jonathan Tetelman, Federica Lombardi, Marina Monzó, Theodore Platt, PKF – Prague Philharmonia, Carlo Rizzi | F♯ Major | 2 | 2B | 180 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 92 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
La Boheme | Dustin Henze | D Major | 1 | 10B | 74 BPM | ||
Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM |
Section: 0.9410054683685303
End: 0.9448070526123047