"Campra: De profundis (Psalm 130), grand motet: No. 3, R,cit "Si iniquitates" (Haute-contre)" by André Campra, Jaël Azzaretti, William Christie was released on 2003. The duration of Campra: De profundis (Psalm 130), grand motet: No. 3, R,cit "Si iniquitates" (Haute-contre) is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Campra: De profundis (Psalm 130), grand motet: No. 3, R,cit "Si iniquitates" (Haute-contre)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 27 in Campra: Grand Motets by André Campra, William Christie, Les Arts Florissants. Campra: De profundis (Psalm 130), grand motet: No. 3, R,cit "Si iniquitates" (Haute-contre) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Campra: De profundis (Psalm 130), grand motet: No. 3, R,cit "Si iniquitates" (Haute-contre) by André Campra, Jaël Azzaretti, William Christie is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2. Notenbüchlein für Anna Magdalena Bach: I. No. 41, Gedenke doch, mein Geist, zurücke, BWV 509 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Ave Regina Caelorum: II. Gaude Virgo | Antonio Caldara, Alex Potter, La Festa Musicale | F♯ Minor | 3 | 11A | 131 BPM | ||
Missa Sanctae Caeciliae, ZWV 1: Gloria in excelsis Deo | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | F♯ Major | 3 | 2B | 120 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 19, Mein Jesu! was vor Seelenweh, BWV 487 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Gib dich zufrieden, BWV 511 | Johann Sebastian Bach, Carolyn Sampson, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 53, Jesu, Jesu, du bist mein, BWV 470 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Motetto de S. Joanne Baptista: III. Coro. Alleluia | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Prima d’esservi infedele, H. 578: Aria. Prima d’esservi infedele | Alessandro Scarlatti, Valeria La Grotta, Quartetto Vanvitelli | C Major | 2 | 8B | 82 BPM | ||
Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Laudate pueri, HWV 237: IV. Excelsus super omnes | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM |
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