"Requiem, Op. 48: Agnus Dei" by Gabriel Fauré, Caroline Ashton, Stephen Varcoe, The Cambridge Singers, Simon Standage, John Scott, City of London Sinfonia, John Rutter was released on April 1, 2010. With this song being about 5 minutes long, at 5:21, "Requiem, Op. 48: Agnus Dei" by Gabriel Fauré, Caroline Ashton, Stephen Varcoe, The Cambridge Singers, Simon Standage, John Scott, City of London Sinfonia, John Rutter is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 16 in Faure: Requiem - Messe basse by Gabriel Fauré, The Cambridge Singers, John Rutter. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Requiem, Op. 48: Agnus Dei is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 48: Agnus Dei by Gabriel Fauré, Caroline Ashton, Stephen Varcoe, The Cambridge Singers, Simon Standage, John Scott, City of London Sinfonia, John Rutter is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grande Messe des Morts: XXIII. Agnus Dei: Moderato | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 132 BPM | ||
L'incoronazione di Poppea, SV 308 / Act III: "Pur ti miro" | Claudio Monteverdi, Sylvia McNair, Dana Hanchard, English Baroque Soloists, John Eliot Gardiner | G Major | 0 | 9B | 125 BPM | ||
Ein deutsches Requiem, Op.45: 5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit" | Johannes Brahms, Barbara Hendricks, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 0 | 9B | 92 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. How Lovely Is Thy Dwelling Place (Sung in English) | Johannes Brahms, The Cambridge Singers, Aurora Orchestra, John Rutter | E♭ Major | 2 | 5B | 106 BPM | ||
Vesperae solennes de confessore, K. 339: Laudate Dominum | Wolfgang Amadeus Mozart, Elin Manahan Thomas, The Cambridge Singers, Aurora Orchestra, John Rutter | F Major | 1 | 7B | 174 BPM | ||
Mass in B Minor, BWV 232: Christe eleison (Soprano, Alto) | Johann Sebastian Bach, Hannah Morrison, Kate Symonds-Joy, English Baroque Soloists, John Eliot Gardiner | A♭ Major | 0 | 4B | 130 BPM | ||
Verdi: Messa da Requiem - Libera me: VIIc. Requiem aeternam | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Berliner Philharmoniker | F♯ Major | 1 | 2B | 81 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. Christe | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | F Minor | 0 | 4A | 149 BPM | ||
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 68 "Wir setzen uns mit Tränen nieder" | Johann Sebastian Bach, The Monteverdi Choir, The London Oratory Junior Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 2 | 10A | 78 BPM | ||
Schubert: Deutsche Messe, D. 872: No. 1, Zum Eingang | Franz Schubert, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch, Elmar Schloter | E Minor | 0 | 9A | 124 BPM |
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