"Violin Sonata No. 2: Bourree in B Minor (Transcription by Saint-Saens) - Duo-Art 67719" by Johann Sebastian Bach, Camille Saint-Saëns, Rudolph Reuter, Peter Phillips was released on February 15, 2024. The duration of Violin Sonata No. 2: Bourree in B Minor (Transcription by Saint-Saens) - Duo-Art 67719 is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Violin Sonata No. 2: Bourree in B Minor (Transcription by Saint-Saens) - Duo-Art 67719's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Bernhard Stavenhagen, Wilhelm Backhaus, Frédéric Chopin, Franz Liszt, Johann Sebastian Bach, Camille Saint-Saëns, Edvard Grieg, Felix Mendelssohn, Franz Schubert, Igor Stravinsky, Pyotr Ilyich Tchaikovsky, Maurice Ravel, Edward Elgar, Richard Wagner's "Great Piano Transcriptions from the Golden Age" album is number 1 out of 16. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Violin Sonata No. 2: Bourree in B Minor (Transcription by Saint-Saens) - Duo-Art 67719 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Sonata No. 2: Bourree in B Minor (Transcription by Saint-Saens) - Duo-Art 67719 by Johann Sebastian Bach, Camille Saint-Saëns, Rudolph Reuter, Peter Phillips to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chanson Triste, Op. 40, No. 2 - Welte-Mignon_1362 | Pyotr Ilyich Tchaikovsky, Ella Rafaelsohn, Peter Phillips | C Major | 1 | 8B | 97 BPM | ||
The Brook, Etude De Concert - Duo-Art 5605 | McNair Ilgenfritz, Peter Phillips | C Minor | 1 | 5A | 77 BPM | ||
Lyric Pieces, Book III, Op. 43: No. 5, Erotikon | Edvard Grieg, Andrey Gugnin | F Major | 0 | 7B | 77 BPM | ||
Goldberg Variations, BWV 988: Var. 1 | Johann Sebastian Bach, Murray Perahia | G Major | 3 | 9B | 106 BPM | ||
48 Esquisses, Op. 63, Book 1: No. 2, Le staccatissimo | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
Sonata No. 88, in D-Flat Major | Antonio Soler, Irene Cantos | G Major | 3 | 9B | 43 BPM | ||
24 Preludes, Op. 34: No. 16 in B-Flat Minor. Andantino | Dmitri Shostakovich, Tatiana Nikolayeva | E Minor | 0 | 9A | 77 BPM | ||
Piano Concerto No. 1, in E Flat R 455, S.124 (Arr. Solo Piano by László): II. Quasi Adagio - Welte-Mignon 3334 | Franz Liszt, Sándor László, Peter Phillips | B Major | 2 | 1B | 55 BPM | ||
Suite No. 1 for 2 Pianos, Op. 5 "Fantaisie-tableaux": I. Barcarolle | Sergei Rachmaninoff, Daniil Trifonov, Sergei Babayan | D Minor | 3 | 7A | 92 BPM | ||
Le Carnaval des Animaux: Fossiles | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | E♭ Major | 3 | 5B | 123 BPM |
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