Charles-Valentin Alkan, Steven Osborne's '48 Esquisses, Op. 63, Book 1: No. 2, Le staccatissimo' came out on March 1, 2003. With 48 Esquisses, Op. 63, Book 1: No. 2, Le staccatissimo being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 49 in Alkan: Esquisses (49 Sketches), Op. 63 by Charles-Valentin Alkan, Steven Osborne. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 48 Esquisses, Op. 63, Book 1: No. 2, Le staccatissimo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 48 Esquisses, Op. 63, Book 1: No. 2, Le staccatissimo by Charles-Valentin Alkan, Steven Osborne is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mélodie in A-Flat Major | Louise Farrenc, Joanne Polk | A♭ Major | 1 | 4B | 68 BPM | ||
Piano Sonata in E Minor, D. 566: I. Moderato | Franz Schubert, Giuseppe Bruno | C Major | 0 | 8B | 171 BPM | ||
Sonatine sportive - Piano Solo Version | Alexander Tcherepnin, Catherine Milledge | E Minor | 2 | 9A | 122 BPM | ||
L'art de Délier Les Doigts, Op. 740.: Pour Passer Le Pouce | Carl Czerny, Jean-Frédéric Neuburger | G Major | 2 | 9B | 59 BPM | ||
24 Preludes, Op. 34: No. 8 in F-Sharp Minor. Allegretto | Dmitri Shostakovich, Tatiana Nikolayeva | D♭ Minor | 1 | 12A | 110 BPM | ||
Le bal, Op. 14: No. 3a, Contredanse. Introduction | Anton Rubinstein, Warren Lee | F Major | 0 | 7B | 78 BPM | ||
6 Etudes, Op. 111: I. Tierces majeures et mineures | Camille Saint-Saëns, Piers Lane | C Major | 1 | 8B | 91 BPM | ||
12 Études, CD 143: No. 1, Pour les cinq doigts (d'après M. Czerny) | Claude Debussy, Steven Osborne | C Major | 1 | 8B | 88 BPM | ||
Les saisons (The Seasons), Op. 37b: III. March: Song of the Lark | Pyotr Ilyich Tchaikovsky, Ilya Rashkovsky | E Major | 1 | 12B | 131 BPM | ||
Barcarolle No. 2 in G Major, Op. 41 | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM |
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