"Chanson Triste, Op. 40, No. 2 - Welte-Mignon_1362" by Pyotr Ilyich Tchaikovsky, Ella Rafaelsohn, Peter Phillips was released on February 21, 2024. The duration of Chanson Triste, Op. 40, No. 2 - Welte-Mignon_1362 is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Chanson Triste, Op. 40, No. 2 - Welte-Mignon_1362's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Peter Phillips, Suzanne Godenne's "Jeux D'eau. Piano Evocations from the Golden Age" album is number 5 out of 21. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Chanson Triste, Op. 40, No. 2 - Welte-Mignon_1362 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chanson Triste, Op. 40, No. 2 - Welte-Mignon_1362 by Pyotr Ilyich Tchaikovsky, Ella Rafaelsohn, Peter Phillips to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | B♭ Major | 4 | 6B | 106 BPM | ||
Liebesfreud | Fritz Kreisler, Joshua Bell, Paul Coker | F Major | 1 | 7B | 99 BPM | ||
Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
Serenade In G Major "Eine Kleine Nachtmusik", K. 525: I. Allegro | Wolfgang Amadeus Mozart, The English Concert, Andrew Manze | F♯ Major | 0 | 2B | 147 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Sonata for Violin and Guitar in A Minor, Op. 2, No. 6, MS 26: Tempo di Walzer | Niccolò Paganini, Scott St. John, Simon Wynberg | A Minor | 2 | 8A | 147 BPM |
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