- BPM
- 99
- Key
- E Major
- Camelot
- 12B
Elévation ou Communion - Louis James Alfred Lefébure-Wély, Jean-Pierre Lecaudey Information
- Acousticness
- 78%
- Danceability
- 13%
- Energy
- 1%
- Instrumentalness
- 95%
- Liveness
- 11%
- Loudness
- 42%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -34.785 dB
Summary
"Elévation ou Communion" by Louis James Alfred Lefébure-Wély, Jean-Pierre Lecaudey was released on January 1, 2000. The duration of Elévation ou Communion is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Elévation ou Communion's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Pierre Lecaudey's "L'orgue romantique de Lagrasse" album is number 13 out of 15. In terms of popularity, Elévation ou Communion is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Elévation ou Communion BPM
We consider the tempo marking of Elévation ou Communion by Louis James Alfred Lefébure-Wély, Jean-Pierre Lecaudey to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
Elévation ou Communion Key
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | E Major | 1 | 12B | 83 BPM | |
 | Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 88 BPM | |
 | Organ Symphony No. 5 in F Minor, Op. 42, No. 1: V. Toccata: Allegro | Charles-Marie Widor, Frédéric Ledroit | F Major | 3 | 7B | 74 BPM | |
 | Air de trompette | Georg Philipp Telemann, John Roderick MacDonald, Martin Stephan | C Major | 2 | 8B | 94 BPM | |
 | L'organiste moderne, 1e livraison: I. Pastorale (Andantino quasi allegretto) | Louis James Alfred Lefébure-Wély, Olivier Vernet | D Major | 0 | 10B | 59 BPM | |
 | Come, Sweet Death, BWV 478 (Arr. V. Fox) | Virgil Fox | D♭ Minor | 1 | 12A | 70 BPM | |
 | Requiem, Op. 9: I. Introit (1961 Version) | Maurice Duruflé, Stephen Cleobury, Choir of King's College, Cambridge, Orchestra of the Age of Enlightenment | F Major | 0 | 7B | 132 BPM | |
 | Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | |
 | Gigout: 10 Pièces pour orgue: IV. Toccata in B Minor (Allegro) | Kynaston | E Minor | 1 | 9A | 71 BPM | |
 | Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7095737457275391
End: 0.71616530418396