Traditional, Mihály Sipos, Róbert Mandel, Muzsikás made "Transdanubian jumping dances (arr. for hurdy-gurdy ensemble)" available on July 15, 2014. The duration of Transdanubian jumping dances (arr. for hurdy-gurdy ensemble) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Transdanubian jumping dances (arr. for hurdy-gurdy ensemble)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Róbert Mandel's "Hurdy-Gurdy Music Collection" album is number 9 out of 14. On top of that, Hungary appears to be the country where this track was created. Based on our statistics, Transdanubian jumping dances (arr. for hurdy-gurdy ensemble)'s popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Transdanubian jumping dances (arr. for hurdy-gurdy ensemble) by Traditional, Mihály Sipos, Róbert Mandel, Muzsikás to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sanctum Et Immaculata | Monks Of The Abbey Of Notre Dame | E Minor | 0 | 9A | 101 BPM | ||
Cantigas de Santa Maria: Nenbressete Madre de Deus | Alfonso X El Sabio, Alla Francesca, Brigitte Lesne | B Major | 1 | 1B | 87 BPM | ||
A Prayer of Desmond Tutu | James Whitbourn, Desmond Tutu, Commotio, Andrew Ker, Steffan Jones, Matthew Berry | D Major | 1 | 10B | 92 BPM | ||
Pax Aeterna | Monks Of The Abbey Of Notre Dame | A♭ Major | 1 | 4B | 81 BPM | ||
Psalm 130: Ich Harre auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | B♭ Major | 1 | 6B | 92 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Vecheri tvoeya tainïya (Of Thy mystical supper), Op. 58 | Alexander Gretchaninov, Alexei Buzakin, St.Petersburg Chamber Choir, Nikolai Korniev | E Major | 0 | 12B | 87 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
Tallinn | Fredrik Hiller | D Major | 2 | 10B | 57 BPM | ||
Tempo Della Chiesa: Pater Noster | Canonici Regolari Si Sant'Antimo | G Major | 0 | 9B | 86 BPM |
Section: 0.5807209014892578
End: 0.5853264331817627