Harmonia artificioso - ariosa: Partia V in G Minor, Gigue - Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon Information

Acousticness: 86%
Danceability: 49%
Energy: 23%
Instrumentalness: 0%
Liveness: 16%
Loudness: 58%
Speechiness: 6%
Valence: 30%
Popularity: 10%
Loudness: -25.449 dB

Summary

Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon's 'Harmonia artificioso - ariosa: Partia V in G Minor, Gigue' came out on 1994. With Harmonia artificioso - ariosa: Partia V in G Minor, Gigue being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 27 out of 38 in Biber: Harmonia artificioso-ariosa by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra. Based on our statistics, Harmonia artificioso - ariosa: Partia V in G Minor, Gigue's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Harmonia artificioso - ariosa: Partia V in G Minor, Gigue BPM

The tempo marking of Harmonia artificioso - ariosa: Partia V in G Minor, Gigue by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Harmonia artificioso - ariosa: Partia V in G Minor, Gigue Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sonata No. 5 in E Minor, RV 40, Op. 14: I. Largo	Antonio Vivaldi, Jaap Ter Linden, Lars Ulrik Mortensen, Judith-Maria Becker	E♭ Minor	1	2A	140 BPM
Op.12, No.4: Canzon La Treccia	Tarquinio Merula, Musica Sequenza, BURAK	F♯ Minor	1	11A	75 BPM
Alcidiane: Petite Chaconne	Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon	B Major	0	1B	150 BPM
Correnti e balletti, Op. 4: No. 33, Ciaconna	Maurizio Cazzati, London Baroque	D♭ Major	3	3B	96 BPM
Concerto Armonico I: I. Grave	Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa	D♭ Major	1	3B	95 BPM
Trios de la chambre du Roi, LWV 35 (Ed. R. Gwilt): No. 47, Chaconne in C Major	Jean-Baptiste Lully, London Baroque	B Major	3	1B	105 BPM
Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo	Joseph Bodin de Boismortier, Peter Whelan, Ensemble Marsyas	A♭ Minor	0	1A	74 BPM
Concerto Armonico No. 1 in G Major: Grave	Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon	F♯ Major	1	2B	63 BPM
Sonate III in F Major: I. Adagio	Élisabeth Jacquet de La Guerre, Ingrid Matthews, Byron Schenkman, Margriet Tindemans	A Major	1	11B	106 BPM
Partie 5 en si bémol majeur: Saraband	Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl	A Major	1	11B	92 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7571213245391846

End: 0.7637450695037842