Hoe-Down from Rodeo - Aaron Copland, Isaac Stern, Milton Katims, Columbia Symphony Orchestra Information

Acousticness: 96%
Danceability: 61%
Energy: 44%
Instrumentalness: 69%
Liveness: 10%
Loudness: 76%
Speechiness: 4%
Valence: 91%
Popularity: 14%
Loudness: -14.441 dB

Summary

On 1963, the song "Hoe-Down from Rodeo" was released by Aaron Copland, Isaac Stern, Milton Katims, Columbia Symphony Orchestra. The duration of Hoe-Down from Rodeo is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Hoe-Down from Rodeo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Isaac Stern's "Humoresque - Favorite Violin Encores [Expanded Edition]" album is number 20 out of 21. Based on our statistics, Hoe-Down from Rodeo's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Hoe-Down from Rodeo BPM

We consider the tempo marking of Hoe-Down from Rodeo by Aaron Copland, Isaac Stern, Milton Katims, Columbia Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Hoe-Down from Rodeo Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto For Clarinet & String Orchestra	Benny Goodman, Aaron Copland	D Minor	2	7A	85 BPM
Symphony No. 3 in G Major, WoO 34, "Great National Symphony" (edited by P. Spada): IV. Finale: Vivace	Muzio Clementi, Pietro Spada, Rome Symphony Orchestra, Francesco La Vecchia	G Major	1	9B	67 BPM
Perpetuum Mobile, Op. 5, No. 4	Isaac Stern	A Minor	2	8A	93 BPM
Rondo a Capriccio in G Major, Op. 129, "Rage over a Lost Penny"	Ludwig van Beethoven, Jenő Jandó	G Major	2	9B	80 BPM
Paganiniana (Variations) For Violin Solo	Nathan Milstein	A Minor	1	8A	104 BPM
Brook Green Suite: I. Prelude	Gustav Holst, English Sinfonia, Howard Griffiths	F Major	2	7B	123 BPM
Peer Gynt, Op. 23: Acti IV, 16, Anitra's Dance	Edvard Grieg, Esa-Pekka Salonen	A Major	0	11B	167 BPM
Peer Gynt, Op. 23: No. 16, Anitra's Dance	Edvard Grieg, San Francisco Symphony, Herbert Blomstedt	A Minor	0	8A	82 BPM
The Tender Land (Opera in Three Acts): Act 3: Later that night; then graduation day (dawn). Introduction - starting slowly	Aaron Copland, Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Choral Art Society, New York Philharmonic	G Major	1	9B	51 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	E♭ Major	1	5B	113 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.5861384868621826

End: 0.5919036865234375