Le Concert Des Nations, Jordi Savall made "Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Gavotte En Suitte (Philidor)" available on January 1, 2002. With Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Gavotte En Suitte (Philidor) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Le Concert Des Nations, Jordi Savall's "L'Orchestre De Louis XIII" album is number 19 out of 36. In terms of popularity, Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Gavotte En Suitte (Philidor) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Concert Donné A Louis XIII En 1627 Par Les 24 Viollons Et Les 12 Grands Hautbois: Gavotte En Suitte (Philidor) by Le Concert Des Nations, Jordi Savall to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Laudate pueri in G Major, RV 601 "Salmo 112": III. A solis ortu (Andante) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | A♭ Major | 1 | 4B | 128 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Oboe Concerto in D minor - Adagio | Alessandro Marcello, Senia Trubashnik, Luxembourg Radio Symphony Orchestra, Kurt Redel | C Minor | 1 | 5A | 71 BPM | ||
Pièces de viole, Livre 2 - Suite No. 3 in D Major: No. 63. Les Voix Humaines (Lentement) | Marin Marais, Philippe Pierlot | D♭ Major | 0 | 3B | 77 BPM | ||
Les mariniers adorent un beau jour | Didier Leblanc, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Le Poème Harmonique, Vincent Dumestre | G Major | 2 | 9B | 118 BPM | ||
Symphonies pour les Soupers du Roy | Michel Richard Delalande, La Chapelle Royale, Philippe Herreweghe | F Minor | 0 | 4A | 105 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Concerto in E Minor: III. Adagio e staccato | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 0 | 2A | 132 BPM | ||
Vivaldi: Stabat Mater in F Minor, RV 621: I. Stabat Mater dolorosa | Antonio Vivaldi, Philippe Jaroussky, Alessandro Tampieri | B♭ Major | 0 | 6B | 76 BPM |
Section: 0.5279583930969238
End: 0.5327930450439453