Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt made "Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): IV. Allegro" available on July 1, 2016. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 14 in Bach: Viola da gamba Sonatas by Daniel Müller-Schott, Angela Hewitt. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): IV. Allegro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): IV. Allegro by Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de clavecin, Livre III, Ordre 13: V. L'âme en peine | François Couperin, Angela Hewitt | B Minor | 0 | 10A | 67 BPM | ||
Suite in E Minor, RCT 2: V. Le Rappel des Oiseaux | Jean-Philippe Rameau, Michel Kiener | F♯ Minor | 4 | 11A | 120 BPM | ||
Suite on Romanian Themes IV. Danza for Marimba, Vibraphone & Piano | Maya Badian, Mircea Badian | B♭ Minor | 4 | 3A | 132 BPM | ||
Prélude à l'imitation de Mr. Froberger | Louis Couperin, Gustav Leonhardt | A♭ Major | 3 | 4B | 76 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
11 Bagatelles, Op. 119: No. 8 in C Major. Moderato cantabile | Ludwig van Beethoven, Steven Osborne | A Minor | 0 | 8A | 125 BPM | ||
VI. Fugue | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM | ||
Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 89 BPM | ||
Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Piano): III. Andante | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | D Minor | 4 | 7A | 120 BPM | ||
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM |
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